tag:blogger.com,1999:blog-316540412011-11-28T17:08:46.077+01:00abraZoselecção de vídeos de tango na web ... algumas páginas demoram a carregarPatrícia Strechthttp://www.blogger.com/profile/00760215737301801391noreply@blogger.comBlogger511100tag:blogger.com,1999:blog-31654041.post-1153926576102826382020-07-26T16:08:00.009+01:002008-06-24T13:35:15.573+01:00<img src="http://photos1.blogger.com/blogger/2328/3439/400/oabraZo.0.jpg" /><br /><br /><span style="font-size:85%;"><span style="color: rgb(102, 102, 102);">S O F T W A R E<span style="color: rgb(0, 0, 0);">...</span>N E C E S S Á R I O<span style="color: rgb(0, 0, 0);">...</span>P A R A<span style="color: rgb(0, 0, 0);">...</span>V I S U A L I Z A R<span style="color: rgb(0, 0, 0);">...</span><span style="color: rgb(102, 102, 102);">O S</span><span style="color: rgb(0, 0, 0);">...</span>V Í D E O S</span></span><br /><br /><a href="http://www.microsoft.com/windows/windowsmedia/player/download/download.aspx"><span style="color: rgb(170, 119, 170);">media player</span></a> <span style="color: rgb(102, 102, 102);">[windows]</span><br /><a href="http://www.videolan.org/vlc/download-macosx.html"><span style="color: rgb(170, 119, 170);">media player</span></a> <span style="color: rgb(102, 102, 102);">[mac<span style="font-size:85%;"> </span><span style="font-size:78%;">OS X</span>]</span><br /><a href="http://forms.real.com/real/player/blackjack.html"><span style="color: rgb(170, 119, 170);">real player</span></a> <span style="color: rgb(102, 102, 102);">[windows e mac] </span><br /><a href="http://www.apple.com/quicktime/download/win.html"><span style="color: rgb(170, 119, 170);">quicktime</span></a> <span style="color: rgb(102, 102, 102);">[windows e mac]<br /></span><a href="http://www.adobe.com/shockwave/download/alternates/"><span style="color: rgb(170, 119, 170);">adobe flash player</span></a> <span style="color: rgb(102, 102, 102);">[windows e mac]</span><br /><span style="font-size:85%;"><br /></span><form id="cse-search-box" action="http://www.google.com/cse" target="_blank"><div> <input value="partner-pub-4747240152998277:wvu4ao-m2qa" name="cx" type="hidden"><span style="color: rgb(102, 102, 102);font-size:85%;" >S E A R C H</span><span style="font-size:85%;"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);">...</span></span></span><span style="color: rgb(102, 102, 102);font-size:85%;" >A B R A Z O</span><div><input value="partner-pub-4747240152998277:wvu4ao-m2qa" name="cx" type="hidden"><input value="ISO-8859-1" name="ie" type="hidden"><input name="q" size="25" type="text"><input value="go!" name="sa" type="submit"></div></div><br /><script src="http://www.google.com/coop/cse/brand?form=cse-search-box&amp;lang=pt" type="text/javascript"></script><br /><span style="color: rgb(102, 102, 102);">report dead video/link: <a href="mailto:oabrazo@gmail.com"><span style="color: rgb(170, 119, 170);">abrazo</span></a><br /></span></form><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115392657610282638?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154437461604668012020-07-26T14:04:00.014+01:002008-06-28T14:19:47.815+01:00<span style="font-size:85%;"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);">.</span><br /><span style="color: rgb(0, 0, 0);">.</span><span style="color: rgb(0, 0, 0);"></span><br />V Í D E O S<span style="color: rgb(0, 0, 0);">...</span>R E C E N T E S<br /><br /></span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/24</span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);"> <a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html">Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +2</span></span></span></span></span></span><br /><span style="font-size:85%;"><span style="color: rgb(102, 102, 102);"><br /></span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/15</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span> <a href="http://oabrazo.blogspot.com/2008/06/alejandro-larenas-marisol-morales.html">Alejandro Larenas &amp; Marisol Morales</a><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"> +7 <span style="color: rgb(102, 102, 204); font-weight: bold;">NOVO!</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="font-size:85%;"><span style="color: rgb(102, 102, 102);"><br /></span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/14<span style="color: rgb(0, 0, 0);"> <a href="http://oabrazo.blogspot.com/2006/07/alberto-colombo-alessandra-rizzotti.html">Alberto Colombo &amp; Alessandra Rizzotti</a></span></span><span style="color: rgb(102, 102, 102);"> +2</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/14</span> <a href="http://oabrazo.blogspot.com/2006/08/chicho-frumboli-mariana-dragone_28.html">Chico Frumboli &amp; Mariana Dragone</a> <span style="color: rgb(102, 102, 102);">+5</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/14</span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);"> </span></span></span></span></span></span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2007/09/chicho-frumboli-lucia-mazer.html">Chicho Frumboli &amp; Lucia Mazer</a></span></span><span style="color: rgb(102, 102, 102);"> +6</span><br /><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/14</span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);"> <a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html">Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +7</span></span></span></span></span></span><br /><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/06/14<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2008/06/chicho-frumboli-juana-sepulveda.html"> Chicho Frumboli &amp; Juana Sepulveda</a></span></span><span style="color: rgb(102, 102, 102);"> +36 </span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 204); font-weight: bold;">NOVO!</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);"><br /></span></span><span style="color: rgb(102, 102, 102);"><span style="color: rgb(102, 102, 102);">08/03/09<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/juan-capriotti-graciana-romeo.html"> Juan Capriotti &amp; Graciana Romeo</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><br /></span></span><span style="color: rgb(102, 102, 102);">08/03/08<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2007/09/chicho-frumboli-lucia-mazer.html"> Chicho Frumboli &amp; Lucia Mazer</a></span></span><span style="color: rgb(102, 102, 102);"> +2</span><br /><br /><span style="color: rgb(102, 102, 102);">07/09/02<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2007/09/chicho-frumboli-lucia-mazer.html"> Chicho Frumboli &amp; Lucia Mazer</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><br /><span style="color: rgb(102, 102, 102);">07/05/03<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/juan-capriotti-graciana-romeo.html"> Juan Capriotti &amp; Graciana Romeo</a></span></span><span style="color: rgb(102, 102, 102);"> +6<br /><span style="color: rgb(102, 102, 102);">07/05/03<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html"> Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +9<br /><br /><span style="color: rgb(102, 102, 102);">07/03/08<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/juan-capriotti-graciana-romeo.html"> Juan Capriotti &amp; Graciana Romeo</a></span></span><span style="color: rgb(102, 102, 102);"> +2<br /><br /><span style="color: rgb(102, 102, 102);">07/02/19<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2007/02/pablo-inza-eugenia-parrilla.html"> Pablo Inza &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><span style="color: rgb(102, 102, 102);">07/02/19<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html"> Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><br /><span style="color: rgb(102, 102, 102);">07/01/01<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html"> Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">07/01/01 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-andrea-miss.html">Javier Rodriguez &amp; Andrea Missé</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><span style="color: rgb(102, 102, 102);">07/01/01</span> <a href="http://oabrazo.blogspot.com/2006/07/osvaldo-zotto-lorena-ermocida.html">Osvaldo Zotto e Lorena Ermocida</a> <span style="color: rgb(102, 102, 102);">+2 </span><br /><br /></span><span style="color: rgb(102, 102, 102);">06/12/31</span> <a href="http://oabrazo.blogspot.com/2006/08/pablo-villarraza-dana-frigoli.html">Pablo Villarraza &amp; Dana Frigoli</a> <span style="color: rgb(102, 102, 102);">+1<br /><span style="color: rgb(102, 102, 102);">06/12/31 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/sebastian-arce-mariana-montes.html"> Sebastian Arce &amp; Mariana Montes</a></span></span><span style="color: rgb(102, 102, 102);"> +2<br /><br /><span style="color: rgb(102, 102, 102);">06/12/30<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/10/fbian-salas-carolina-del-rivero.html"> Fábian Salas &amp; Carolina del Rivero</a></span></span><span style="color: rgb(102, 102, 102);"> +4<br /><span style="color: rgb(102, 102, 102);">06/12/30<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/12/homer-ladas-mariana-dragone.html"> Homer Ladas &amp; Mariana Dragone</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><span style="color: rgb(102, 102, 102);">06/12/30<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/10/pablo-tegli-victoria-vieyra.html"> Pablo Tegli &amp; Victoria Vieyra</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><span style="color: rgb(102, 102, 102);">06/12/30<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html"> Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/12/30<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/pablo-inza-moira-castellano.html"> Pablo Inza &amp; Moira Castellano</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><span style="color: rgb(102, 102, 102);">06/12/30 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/claudia-codega-esteban-moreno.html">Claudia Codega &amp; Esteban Moreno</a></span></span><span style="color: rgb(102, 102, 102);"> +4<br /><span style="color: rgb(102, 102, 102);">06/12/30 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/12/roberto-herrera-tamara-bisceglia.html">Roberto Herrera &amp; Tamara Bisceglia</a></span></span><span style="color: rgb(102, 102, 102);"> +4<br /><br /><span style="color: rgb(102, 102, 102);">06/12/25<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/roberto-herrera-natasha-poberaj.html"> Roberto Herrera &amp; Natasha Poberaj</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/12/25<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html"> Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +5<br /><span style="color: rgb(102, 102, 102);">06/12/25<span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/alberto-colombo-alessandra-rizzotti.html"> Alberto Colombo &amp; Alessandra Rizzotti</a></span></span><span style="color: rgb(102, 102, 102);"> +4<br /><br /><span style="color: rgb(102, 102, 102);">06/10/17 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/sebastian-arce-mariana-montes.html"> Sebastian Arce &amp; Mariana Montes</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /></span><span style="color: rgb(102, 102, 102);">06/10/17</span> <a href="http://oabrazo.blogspot.com/2006/08/pablo-villarraza-dana-frigoli.html">Pablo Villarraza &amp; Dana Frigoli</a> <span style="color: rgb(102, 102, 102);">+3 </span><br /></span><span style="color: rgb(102, 102, 102);">06/10/17</span> <a href="http://oabrazo.blogspot.com/2006/08/chicho-frumboli-mariana-dragone_28.html">Chico Frumboli &amp; Mariana Dragone</a> <span style="color: rgb(102, 102, 102);">+2 </span><br /><br /><span style="color: rgb(102, 102, 102);">06/09/24 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/claudia-codega-esteban-moreno.html">Claudia Codega &amp; Esteban Moreno</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /></span><span style="color: rgb(102, 102, 102);">06/09/24</span> <a href="http://oabrazo.blogspot.com/2006/07/sebastian-arce-mariana-montes.html">Sebastian Arce &amp; Mariana Montes</a> <span style="color: rgb(102, 102, 102);">+3 </span><br /><span style="color: rgb(102, 102, 102);">06/09/24 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-geraldine-rojas.html">Javier Rodriguez &amp; Geraldine Rojas</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/09/11 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-geraldine-rojas.html">Javier Rodriguez &amp; Geraldine Rojas</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/09/10 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/claudia-codega-esteban-moreno.html">Claudia Codega &amp; Esteban Moreno</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/09/07 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/09/chicho-frumboli-cecilia-gonzalez.html">Chicho Frumboli &amp; Cecilia Gonzalez</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/07 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/chico-frumboli-eugenia-parrilla.html">Chicho Frumboli &amp; Eugenia Parrilla</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/09/05 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/08/carlos-gavito-geraldine-rojas.html">Carlos Gavito &amp; Geraldine Rojas</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/05 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/julio-balmaceda-corina-de-la-rosa.html">Julio Balmaceda &amp; Corina de la Rosa</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/05 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/08/gustavo-naveira-giselle-anne.html"> Gustavo Naveira &amp; Giselle Anne </a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/05 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-andrea-miss.html">Javier Rodriguez &amp; Andrea Missé</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/09/01 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/08/gustavo-naveira-giselle-anne.html"> Gustavo Naveira &amp; Giselle Anne </a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/01 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-andrea-miss.html">Javier Rodriguez &amp; Andrea Missé</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><span style="color: rgb(102, 102, 102);">06/09/01 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/claudia-codega-esteban-moreno.html">Claudia Codega &amp; Esteban Moreno</a></span></span><span style="color: rgb(102, 102, 102);"> +2<br /><br /></span><span style="color: rgb(102, 102, 102);">06/08/30</span> <a href="http://oabrazo.blogspot.com/2006/08/fabrizio-forti-mariana-dragone.html"> Fabrizio Forti &amp; Mariana Dragone</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /><br /></span><span style="color: rgb(102, 102, 102);">06/08/29</span> <a href="http://oabrazo.blogspot.com/2006/08/gabriel-angio-natalia-games.html">Gabriel Angio &amp; Natalia Games</a> <span style="color: rgb(102, 102, 102);">+2 </span><br /><br /></span><span style="color: rgb(102, 102, 102);">06/08/27</span> <a href="http://oabrazo.blogspot.com/2006/08/chicho-frumboli-celine-ruiz_28.html">Chico Frumboli &amp; Celine Ruiz </a> <span style="color: rgb(102, 102, 102);">+2 </span><br /></span><span style="color: rgb(102, 102, 102);">06/08/27</span> <a href="http://oabrazo.blogspot.com/2006/08/chicho-frumboli-mariana-dragone_28.html">Chico Frumboli &amp; Mariana Dragone</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /></span><span style="color: rgb(102, 102, 102);">06/08/27</span> <a href="http://oabrazo.blogspot.com/2006/08/pablo-villarraza-dana-frigoli.html">Pablo Villarraza &amp; Dana Frigoli</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /></span><span style="color: rgb(102, 102, 102);">06/08/27</span> <a href="http://oabrazo.blogspot.com/2006/07/sebastian-arce-mariana-montes.html">Sebastian Arce &amp; Mariana Montes</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /><br /></span><span style="color: rgb(102, 102, 102);">06/08/25</span> <a href="http://oabrazo.blogspot.com/2006/08/federico-naveira-ariadna-naveira.html">Federico Naveira &amp; Ariadna Naveira</a> <span style="color: rgb(102, 102, 102);">+1<br /><br /></span><span style="color: rgb(102, 102, 102);">06/08/24</span> <a href="http://oabrazo.blogspot.com/2006/08/pablo-villarraza-dana-frigoli.html">Pablo Villarraza &amp; Dana Frigoli</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /><span style="color: rgb(102, 102, 102);">06/08/24 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-andrea-miss.html">Javier Rodriguez &amp; Andrea Missé</a></span></span><span style="color: rgb(102, 102, 102);"> +2<br /><span style="color: rgb(102, 102, 102);">06/08/24 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/julio-balmaceda-corina-de-la-rosa.html">Julio Balmaceda &amp; Corina de la Rosa</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/08/20 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/roberto-herrera-natasha-poberaj.html"> Roberto Herrera &amp; Natasha Poberaj</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /><br /><span style="color: rgb(102, 102, 102);">06/08/08 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/julio-balmaceda-corina-de-la-rosa.html">Julio Balmaceda &amp; Corina de la Rosa</a></span></span><span style="color: rgb(102, 102, 102);"> +3<br /><p class="MsoNormal"><span style="" lang="EN-GB"><span style="color: rgb(102, 102, 102);">06/08/07 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/08/korey-ireland-mila-vigdorova.html">Korey <st1:country-region st="on"><st1:place st="on">Ireland</st1:place></st1:country-region> &amp; Mila Vigdorova</a></span></span></span><span style="color: rgb(102, 102, 102);"> +1<o:p></o:p></span></p> <span style="color: rgb(102, 102, 102);">06/08/02 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/julio-balmaceda-corina-de-la-rosa.html">Julio Balmaceda &amp; Corina de la Rosa</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /></span><span style="color: rgb(102, 102, 102);">06/08/02</span> <a href="http://oabrazo.blogspot.com/2006/08/pablo-villarraza-dana-frigoli.html">Pablo Villarraza &amp; Dana Frigoli</a> <span style="color: rgb(102, 102, 102);">+3 </span><br /><br /><span style="color: rgb(102, 102, 102);">06/08/01 <span style="color: rgb(0, 0, 0);"><a href="http://oabrazo.blogspot.com/2006/07/javier-rodriguez-geraldine-rojas.html">Javier Rodriguez &amp; Geraldine Rojas</a></span></span><span style="color: rgb(102, 102, 102);"> +1<br /></span><span style="color: rgb(102, 102, 102);">06/08/01</span> <a href="http://oabrazo.blogspot.com/2006/07/alejandra-mantigan-gabriel-miss.html">Alejandra Mantigñan &amp; Gabriel Missé</a> <span style="color: rgb(102, 102, 102);">+1 </span><br /><span style="color: rgb(102, 102, 102);">06/08/01</span> <a href="http://oabrazo.blogspot.com/2006/07/osvaldo-zotto-lorena-ermocida.html">Osvaldo Zotto e Lorena Ermocida</a> <span style="color: rgb(102, 102, 102);">+1<br /></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115443746160466801?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-31977751225611656732008-06-14T20:34:00.007+01:002008-06-27T12:56:29.883+01:00Alejandro Larenas & Marisol Morales<span style="color: rgb(0, 0, 0);">.</span><br />webpage (alejandro + marisol): <a href="http://www.marisolalejandro.com.ar/">www.marisolalejandro.com.ar</a><br /><br /><!-- adsense --><br /><br />Montreal | Festival Tango Montreal 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Q10LmKuL97k&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/Q10LmKuL97k&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: La Tupungatina | Osvaldo Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />| Fiesta El Calambre 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/ALMn68D31XY&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/ALMn68D31XY&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: El Acomodo| Edgardo Donato<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/1QyKBMwRgSo&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/1QyKBMwRgSo&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Electro Tango: El aire en mis manos | Narcotango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | CITA 2005<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/fY2iIhcluoo&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/fY2iIhcluoo&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: El Adiós| Edgardo Donato<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | La Viruta 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/QFr-afOPJHY&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/QFr-afOPJHY&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Electro Tango: Paris Texas | Gotan Project<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | La Viruta 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/KdLyFfedG88&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/KdLyFfedG88&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Milonga: El Lloron | Hugo Diaz<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />| Aniversário Club Gricel 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/AuPr-zUrfr0&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/AuPr-zUrfr0&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: Araca la Cana | Osvaldo Fresedo-Roberto Ray.1933<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-3197775122561165673?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-75869985674727953832008-06-14T18:17:00.005+01:002008-06-14T20:15:11.202+01:00Chicho Frumboli & Juana Sepulveda<span style="color: rgb(0, 0, 0);">.</span><br />webpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (juana)<br /><br />Italy | Mantova 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/s7jiAtDjTOs&amp;hl=pt-br"><embed src="http://www.youtube.com/v/s7jiAtDjTOs&amp;hl=pt-br" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Mantova 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/GSYocL6XEPY&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/GSYocL6XEPY&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Mantova 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/XmGP_4WlQXY&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/XmGP_4WlQXY&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | 3° Festival Tango Revoluciòn in Cesena 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/KBmv-UR5dkY&amp;hl=pt-br"><embed src="http://www.youtube.com/v/KBmv-UR5dkY&amp;hl=pt-br" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | 3° Festival Tango Revoluciòn in Cesena 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/tiG4voR3_PQ&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/tiG4voR3_PQ&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Pata Ancha |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Paris | Milonga Le Chantier 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/qa2f_NykshA&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/qa2f_NykshA&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Milonga: Milonga Criolla | Canaro<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Paris | Milonga Le Chantier 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/HCoSaRSvVGM&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/HCoSaRSvVGM&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango:_ Tanti anni prima | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | Sunderland 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/ea3YbNDIk6k&amp;hl=en"><embed src="http://www.youtube.com/v/ea3YbNDIk6k&amp;hl=en" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Milonga: Milonga vieja milonga |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | Sunderland 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/V2fArEXEk18&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/V2fArEXEk18&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | Sunderland 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/RkYt827AUKk&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/RkYt827AUKk&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: "El Tarta" | Juan D´arienzo - Echagüe<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/PqNI7EdbONE&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/PqNI7EdbONE&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Mariposa | Osvaldo Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/WBcGdbBHbcg&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/WBcGdbBHbcg&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/FgbNGeBo9ss&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/FgbNGeBo9ss&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/I-x_atPpY5U&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/I-x_atPpY5U&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Loca | Juan D´Arienzo<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/r2WGt35CA2Y&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/r2WGt35CA2Y&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Electro Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Stuttgart | Tango-Ocho 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/MjIaHMxJqss&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/MjIaHMxJqss&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | Tango Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/yrwJvnWs4H4&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/yrwJvnWs4H4&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | Tango Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/oPREEKSNwuI&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/oPREEKSNwuI&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | Tango Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/3d0gOCKEB6Q&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/3d0gOCKEB6Q&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango:<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | TIP-TV Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/ByjY2uuNkZI&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/ByjY2uuNkZI&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | TIP-TV Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/EYB627_K29U&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/EYB627_K29U&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | TIP-TV Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/hfD7blUS5zk&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/hfD7blUS5zk&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango:<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | TIP-TV Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/WB44F1vre04&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/WB44F1vre04&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Ljubljana | TIP-TV Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/z64rZb_kdMU&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/z64rZb_kdMU&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Mantova 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/z5zBmnShASA&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/z5zBmnShASA&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Ave Maria | Piazzola<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Mantova 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/6ZUXqueTU1w&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/6ZUXqueTU1w&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Mantova 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/jjakUQf3VE8&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/jjakUQf3VE8&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Torino Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/c2kichtHnl8&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/c2kichtHnl8&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Torino Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/xZuzMySQumw&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/xZuzMySQumw&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Torino Festival 2008<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/bJEGyw_kRUI&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/bJEGyw_kRUI&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Turin | Villa Urquiza Milonga<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/x2ajKveBQ3M&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/x2ajKveBQ3M&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Turin | Villa Urquiza Milonga<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/XDqVaoIa9Zc&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/XDqVaoIa9Zc&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | La Ideal 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/4A5i9Nszixw&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/4A5i9Nszixw&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Del Pasado | Juan D´Arienzo.<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | La Ideal 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/S9WyvMlNARs&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/S9WyvMlNARs&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Ataniche | Juan D´arienzo.<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Buenos Aires | La Ideal 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/6UA3yD3SEzU&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/6UA3yD3SEzU&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Germaine | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Paris | CITP 2007<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/mDnxs5BBTLE&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/mDnxs5BBTLE&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: Ave Maria | Piazzola<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-7586998567472795383?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-36103942876164062502007-02-19T20:34:00.000+01:002007-09-02T16:48:55.100+01:00Pablo Inza & Eugenia Parrilla</br><br />Buenos Aires | Practica X 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/sNE7JaoCPoY"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/sNE7JaoCPoY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br /><br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Practica X 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/mPI37OuSnDI"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/mPI37OuSnDI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Practica X 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/8eBLuKnE1WU"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/8eBLuKnE1WU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-3610394287616406250?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1167498475246668532006-12-30T18:07:00.000+01:002006-12-31T12:31:15.563+01:00Roberto Herrera & Tamara Bisceglia</br><br />Munich | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/lXjusnMrW6M"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/lXjusnMrW6M" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: El Arranque<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Munich | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/AZCo2ek-J9Y"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/AZCo2ek-J9Y" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Milongueando en el 40<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Munich | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/w-o7x8zphBc"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/w-o7x8zphBc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga: El Lloron<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Munich | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/GA3-L6hmBdY"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/GA3-L6hmBdY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango:Los Mareados<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-116749847524666853?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1167488257624804152006-12-30T15:13:00.000+01:002006-12-30T15:17:37.626+01:00Homer Ladas & Mariana Dragone</br><br />San Francisco | Cellspace<br /><embed src="http://tangovideoproject.com/htdocs/video/q/1161440576.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Pasion | Rodrigo Leão<br />Fonte: <a href="http://tangovideoproject.com/">TangoVideoProject</a><br /></p><p><br /><br />San Francisco | Cellspace<br /><embed src="http://tangovideoproject.com/htdocs/video/q/1161057053.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Tu y Cielo y Tu | CarlosDiSarli<br />Fonte: <a href="http://tangovideoproject.com/">TangoVideoProject</a><br /></p><p><br /><br />San Francisco | Cellspace 2006<br /><embed src="http://tangovideoproject.com/htdocs/video/q/1148237452.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Otra Luna | Narcotango<br />Fonte: <a href="http://tangovideoproject.com/">TangoVideoProject</a><br /></p><p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-116748825762480415?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1167488652580572162006-10-30T15:21:00.000+01:002006-12-30T15:48:34.950+01:00Fábian Salas & Carolina del Rivero</br><br /><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/otQXIdrtu3s"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/otQXIdrtu3s" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/eETReMZJkkk"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/eETReMZJkkk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/XvwAhfrTjNM"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/XvwAhfrTjNM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/p9I75VCMJ78"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/p9I75VCMJ78" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Presto<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-116748865258057216?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1167486442422200552006-10-30T14:38:00.000+01:002006-12-30T14:47:22.423+01:00Pablo Tegli & Victoria Vieyra<br/><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/EJb0xfAt7ZY"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/EJb0xfAt7ZY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/ridb5BtR-lQ"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/ridb5BtR-lQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Istanbul | Tango Ritual 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/WDM1WV-wBM4"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/WDM1WV-wBM4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-116748644242220055?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1157714141753339732006-09-08T12:15:00.001+01:002008-06-14T20:20:16.176+01:00Chicho Frumboli & Cecilia Gonzalezwebpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (cecilia):<br /><br />Buenos Aires | CITA 2001<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/bu9a7jzfLqc"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/bu9a7jzfLqc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/bu9a7jzfLqc" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115771414175333973?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156977445144654462006-08-30T23:37:00.000+01:002006-09-02T11:49:45.603+01:00Fabrizio Forti & Mariana Dragone</br><br />San Francisco | Cellspace 2005<br /><embed pluginspage="http://www.apple.com/quicktime/download/" src="http://tangovideoproject.com/htdocs/video/q/1148905988.mov" width="640" height="496" type="video/quicktime" kioskmode="false" autoplay="false" controller="true" cache="true"></embed><br />Tango: Loca | D’Arienzo<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115697744514465446?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156720474513700632006-08-28T00:14:00.001+01:002008-06-14T20:19:08.751+01:00Chicho Frumboli & Celine Ruizwebpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (celine + damian): <a href="http://celinedamian.free.fr/en.html">celinedamian.free.fr/en.html</a><br /><br />Buenos Aires | Tanghetto Concert<br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/frXGbT3h8-o"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/frXGbT3h8-o" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: | Tanghetto<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />Buenos Aires | Tanghetto Concert<br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/qEJLBA9yt3s"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/qEJLBA9yt3s" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: | Tanghetto<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br />Mariano Chicho Frumboli &amp; Celine Ruiz<br />Sebastian Arce &amp; Mariana Montes<br />Fabian Salas &amp; Carolina Del Rivero<br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115672047451370063?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156720396456204782006-08-28T00:12:00.005+01:002008-07-28T22:52:55.667+01:00Chicho Frumboli & Mariana Dragone<span style="color: rgb(0, 0, 0);">.</span><br />webpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (mariana): <a href="www.marianadragone.com">www.marianadragone.com</a><br /><br />| Festival de Tango de BTF 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/uBKJD-h5ZxA&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/uBKJD-h5ZxA&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br />| Festival de Tango de BTF 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/iCQG8oYwXEM&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/iCQG8oYwXEM&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br /><br />| Festival de Tango de BTF 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/SEDMb9DnlBA&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/SEDMb9DnlBA&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br /><br />Lisboa | FTL 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/gBiNoBFopKM&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/gBiNoBFopKM&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br /><br />Lisboa | FTL 2006<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/7lro4WfRpzM&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/7lro4WfRpzM&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br />Lisboa | FTL 2006<br /><embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-2953260475084103519&amp;hl=en"></embed><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br />Lisboa | FTL 2006<br /><embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-6791026359146732337&amp;hl=en"></embed><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><br /><br />Lisboa | FTL 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/6Q0yIDokWXY"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/6Q0yIDokWXY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115672039645620478?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156716095214681002006-08-27T22:56:00.000+01:002006-09-05T15:10:20.680+01:00Natasha Poberaj & Fabian Peralta</br><br />Buenos Aires | CITA<br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/7WK81lsSFto"><embed src="http://www.youtube.com/v/7WK81lsSFto" type="application/x-shockwave-flash" height="350" width="425"></embed></object><br />Tango: Poema | Canaro<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />Buenos Aires | El Beso<br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/cSddAmT_yXo"><embed src="http://www.youtube.com/v/cSddAmT_yXo" type="application/x-shockwave-flash" height="350" width="425"></embed></object><br />Chacarera<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><span style="color: rgb(204, 102, 204);">"Because we need to embrace someone else and feel someone else is embracing us," Poberaj said. "Something the whole world needs — to feel embraced."</span><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115671609521468100?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156436993307306972006-08-24T17:29:00.000+01:002006-12-30T16:40:26.353+01:00Federico Naveira & Ariadna Naveira</br><br />Buenos Aires | Salon Canning 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/viXNoT_CA-Y"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/viXNoT_CA-Y" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Folclore Grego: | Haris Alexiou + Tango: | D'Arienzo<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115643699330730697?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1156436705974928192006-08-24T17:24:00.000+01:002006-12-30T16:31:47.536+01:00Carlos Gavito & Geraldine Rojas</br><br />Buenos Aires | La Viruta [último show]<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/mDhXTW2FlN8"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/mDhXTW2FlN8" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115643670597492819?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154372787707295222006-08-07T20:05:00.001+01:002008-07-28T23:05:54.617+01:00Gustavo Naveira & Giselle Annewebpage (gustavo + giselle): <a href="www.gustavoygiselle.com">www.gustavoygiselle.com</a><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/e0Sjfo57BB8"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/e0Sjfo57BB8" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/eHNz3vEnhUM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/eHNz3vEnhUM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: La Cumparsita<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115437278770729522?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154977015473267652006-08-07T19:56:00.000+01:002006-12-30T16:42:58.530+01:00Gabriel Angio & Natalia Games</br><br /><br />Berlin | Gruner Salon 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/pkmXnZ67wmQ"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/pkmXnZ67wmQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Este es el Rey<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115497701547326765?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154961245766065302006-08-07T15:33:00.000+01:002006-08-08T14:45:48.963+01:00Korey Ireland & Mila Vigdorova</br><br />Portland | Tango Festival 2006<br /><embed src="http://homepage.mac.com/wayne.williams/OTS/web-content/images/tango/QuickTime/Valentango%202006/Cory%20and%20Partner.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="true" height="255" width="320"></embed><br />Vals: Vals Azul | Korey Ireland<br />Fonte: <a href="http://homepage.mac.com/wayne.williams/OTS/web-content/index.html">On the spOt prOductiOns</a>| © Wayne Williams<br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115496124576606530?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154377041899924802006-07-31T21:14:00.000+01:002006-08-08T03:16:39.726+01:00Patricio Touceda & Eva Lucero</br><br />Seattle | El Marne 2003<br /><EMBED src="http://www.tangonetwork.com/aboutus/videos/el_marneHS.wmv" type="application/x-mplayer2" width="400" height="390" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" id="mediaPlayer" name="mediaPlayer" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp='5311' loop="false"></EMBED><br />Tango<br />Fonte: <a href="http://www.tangonetwork.com">Tango Network</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115437704189992480?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154271890581198892006-07-30T16:00:00.002+01:002008-07-28T22:55:22.987+01:00David Gauthier & Catherine Boucher<embed src="http://premiumwanadoo.com/mephisto-tango/video/dayca-01.wmv" type="application/x-mplayer2" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" id="mediaPlayer" name="mediaPlayer" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false" width="440" height="380"></embed><br />Tango<br />Fonte: <a href="http://www.mephisto-tango.com/">Mephisto Tango!</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115427189058119889?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154214244610880702006-07-30T00:01:00.000+01:002006-12-30T14:07:22.853+01:00Pablo Inza & Moira Castellano</br><br />Moskow | 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/416T4-73sZQ"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/416T4-73sZQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga: El Lloron<br />Fonte: <a href="www.youtube.com">Youtube</a><br /></p><p><br /><br />Moskow | 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/lm5f9zVBkW4"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/lm5f9zVBkW4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Piazzolla<br />Fonte: <a href="www.youtube.com">Youtube</a><br /></p><p><br /><br />Moskow | 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/-PcE8MPCzfY"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/-PcE8MPCzfY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="www.youtube.com">Youtube</a><br /></p><p><br /><br /><embed pluginspage="http://www.apple.com/quicktime/download/" src="http://ia310307.eu.archive.org/3/items/pelucatangonuevoCopiadeMOV00473MPG/Copia_de_MOV00473.mpg" width="320" height="255" type="video/quicktime" kioskmode="false" autoplay="false" controller="true" cache="true"></embed><br />Milonga<br />Fonte: <a href="http://www.archive.org/index.php">Internet Archive</a><br /></p><p><br /><br />Seoul | Tango Festival<br /><embed pluginspage="http://www.apple.com/quicktime/download/" src="http://www.tangovideoproject.com/htdocs/video/q/1152194796.mov" width="640" height="496" type="video/quicktime" kioskmode="false" autoplay="false" controller="true" cache="true"></embed><br />Tango: Poema | Francisco Canaro<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115421424461088070?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154200700960750582006-07-29T20:17:00.000+01:002007-12-24T14:35:06.378+01:00Javier Rodriguez & Andrea MisséLuxembourg | Festival 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/yrOQTq67FEQ"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/yrOQTq67FEQ"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/yrOQTq67FEQ" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />Buenos Aires | Niño Bien 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/oIjsVNszOL0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/oIjsVNszOL0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/oIjsVNszOL0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango | Color Tango Live<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />| Club Sunderland 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/uhMnEg61fTk"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/uhMnEg61fTk"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/uhMnEg61fTk" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga: Moza guapa | Tanturi/Castillo<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Italy | Turin Easter Festival 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/9PZawECuBE0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/9PZawECuBE0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/9PZawECuBE0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | World Tango Festival 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Q80hcjRUVdk"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/Q80hcjRUVdk"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Q80hcjRUVdk" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Porteno y Bailarin<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Bqtm_mpxAok"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/Bqtm_mpxAok"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Bqtm_mpxAok" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Unita milonga 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/7HFUj0Y_DzE"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/7HFUj0Y_DzE"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/7HFUj0Y_DzE" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Corazon | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Unita milonga 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/25i1vPkyvJs"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/25i1vPkyvJs"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/25i1vPkyvJs" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: | Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115420070096075058?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153959938317196912006-07-27T01:25:00.000+01:002006-08-08T01:10:56.400+01:00Damián Esell & Nancy Louzán</br><br />Tango Dorado 2003<br /><embed src="http://www.ultimotango.nl/movies/D_N.mov" width="320" height="255" type="video/quicktime"></embed><br />Tango<br />Fonte: <a href="http://www.ultimotango.nl/">Ultimo Tango</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115395993831719691?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153940321980384302006-07-26T19:57:00.000+01:002006-08-08T00:48:33.756+01:00Alejandra Mantigñan & Gustavo Russo</br><br />Genova | Summer Festival 2002<br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_1esibizione_russo_mantignan_kb128.rpm " width="360" height="288" type="audio/x-pn-realaudio-plugin" console="_master" nojava="true" controls="ImageWindow"></embed><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_1esibizione_russo_mantignan_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video1" nojava="true" controls="ControlPanel"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_4esibizione_russo_mantignan_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video2" nojava="true" controls="ControlPanel"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_7esibizione_russo_mantignan_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video3" nojava="true" controls="ControlPanel"></embed><br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br/><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115394032198038430?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153938153249569122006-07-26T19:10:00.000+01:002006-12-26T12:32:56.856+01:00Roberto Herrera & Natasha Poberaj</br><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/yj0wazLJ7gc"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/yj0wazLJ7gc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Mala Junta<br />Fonte: <a href="http://www.youtube.com">YouTube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/G-o4yFkjMq4"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/G-o4yFkjMq4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga: El Llorón | Hugo Diaz<br />Fonte: <a href="http://www.youtube.com">YouTube</a><br /></p><p><br /><br />Genova | Summer Festival 2002<br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_5esibizione_herrera_poberaj_kb128.rpm" width="360" height="288" type="audio/x-pn-realaudio-plugin" console="_master" nojava="true" controls="ImageWindow"></embed><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_5esibizione_herrera_poberaj_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video1" nojava="true" controls="ControlPanel"></embed> <br />Milonga<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_6esibizione_herrera_poberaj_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video2" nojava="true" controls="ControlPanel"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_9esibizione_herrera_poberaj_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video3" nojava="true" controls="ControlPanel"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115393815324956912?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153936581406083532006-07-26T18:55:00.000+01:002006-08-08T00:31:22.526+01:00Andres Amarilla & Meredith Klein</br><br />Portland | Valentango 2006<br /><embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-3493067821801860196"> </embed> <br />Tango: Al Final Todos Se Van | Tanghetto<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br />Portland | Valentango 2006<br /><embed src="http://tangovideoproject.com/htdocs/video/q/1153314261.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Al Final Todos Se Van | Tanghetto<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></br><br /><br /><br />2006 <br /><embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-6915668649534350823"> </embed> <br />Tango: La Payanca<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br />2006<br /><embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=4540792109948826910"> </embed> <br />Tango: A Evaristo Carriego | Pugliese<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br />Portland | Tango Berretin 2006<br /><embed src="http://www.andresamarilla.com/pof-pof.mpg" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="320" height="255" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Pof Pof | D'Arienzo<br />Fonte: <a href=" http://www.andresamarilla.com/">Andres Amarilla</a><br /><br /></p><p><br /><br />San Francisco | Cell Space 2006<br /><EMBED src=" http://andresamarilla.com/And-Mer%20Negracha.AVI" type="application/x-mplayer2" width="400" height="390" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" id="mediaPlayer" name="mediaPlayer" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp='5311' loop="false"></EMBED> <br />Tango: Negracha | Pugliese<br />Fonte: <a href=" http://www.andresamarilla.com/">Andres Amarilla</a><br /></p><p><br /><br />Tango Joven 2006<br /><embed src="http://tangovideoproject.com/htdocs/video/q/1153520387.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br /></p><p> <br />Tango: Poema | Francisco Canaro<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Yale | Tango Festival 2006<br /><embed src=" http://tangovideoproject.com/htdocs/video/q/1145289444.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="640" height="495" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango: Zum | Pugliese<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115393658140608353?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153959873106894712006-07-26T01:23:00.000+01:002006-08-08T00:49:51.243+01:00Alejandra Mantigñan & Gabriel Missé</br><br />Sitges | Tango Festival 2003<br /><embed src=" http://www.ultimotango.nl/movies/AG.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" width="320" height="255" cache="true" controller="true" autoplay="false" kioskmode="true"></embed><br />Tango<br />Fonte: <a href="http://www.ultimotango.nl/">Ultimo Tango</a><br /></p><p><br /><br />Genova | Summer Festival 2003<br /><embed src="http://www.genovatango2004.it/2003video_giugno/2003video_giugno_mantinan_kb128.rpm" width="360" height="288" type="audio/x-pn-realaudio-plugin" console="_master" nojava="true" controls="ImageWindow"></embed><br /><br /><embed src="http://www.genovatango2004.it/2003video_giugno/2003video_giugno_mantinan_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" console="video1" nojava="true" controls="ControlPanel"></embed> <br />Tango<br />Fonte: <a href=" http://www.genovatangofestival.it/"> Genova Tango Festival</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115395987310689471?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153868001381803862006-07-25T23:48:00.007+01:002008-06-24T13:28:41.991+01:00Chico Frumboli & Eugenia Parrilla<span style="color: rgb(0, 0, 0);">.</span><br />webpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (eugenia)<br /><br />Amsterdam |<br /><object type="application/x-shockwave-flash" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,124,0" id="mncHMovie" align="middle" width="425" height="449"><param name="quality" value="high"><param name="bgcolor" value="#ffffff"><param name="movie" value="http://dory.mncast.com/mncHMovie.swf?movieID=10016031120070116152245&amp;skinNum=1"><param name="wmode" value="transparent"><embed src="http://dory.mncast.com/mncHMovie.swf?movieID=10016031120070116152245&amp;skinNum=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="449"></embed></object><br />Tango: Lorenzo<br />Fonte: <a href="http://www.mncast.com/">MNCast</a><br /><br /><br />Buenos Aires | CITA 2004<br /><object width="425" height="385"><param name="allowScriptAccess" value="always"><param name="movie" value="http://img.mail.ru/r/video2/player_v2.swf?par=http://content.video.mail.ru/mail/orehauto/CITA-2004/$258$0$161&amp;page=2&amp;imaginehost=video.mail.ru&amp;perlhost=video.mail.ru&amp;alias=mail&amp;username=orehauto&amp;albumid=CITA-2004&amp;id=258&amp;catalogurl=http://video.mail.ru/themes/music"><embed src="http://img.mail.ru/r/video2/player_v2.swf?par=http://content.video.mail.ru/mail/orehauto/CITA-2004/$258$0$161&amp;page=2&amp;imaginehost=video.mail.ru&amp;perlhost=video.mail.ru&amp;alias=mail&amp;username=orehauto&amp;albumid=CITA-2004&amp;id=258&amp;catalogurl=http://video.mail.ru/themes/musictype=%22application/x-shockwave-flash%22" allowscriptaccess="always" width="425" height="385"></embed></object><br />Tango: Decarissimo | Piazzolla<br />Fonte: <a href="http://video.mail.ru/">Video.Mail.Ru</a><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/krEieIg2qDE&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/krEieIg2qDE&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/5wqK3BTt0To&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/5wqK3BTt0To&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: El Recuerdo | Biagi<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/KuMJEOAKDss&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/KuMJEOAKDss&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/ZuaZoN2Emew&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/ZuaZoN2Emew&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Electro Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Oslo | 2005<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/IE0Uh1b_9vo&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/IE0Uh1b_9vo&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango: La Cumparsita |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/WYbpRg3CWU8&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/WYbpRg3CWU8&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />La Trastienda | 2004<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/djJpE3NGuwo&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/djJpE3NGuwo&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Electro Tango: Tropilla de la zurda | Narcotango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Lubljana<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/E2bEPOvOp9c"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/E2bEPOvOp9c" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br /><br />Buenos Aires | Sunderland 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/meah_1arIik"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/meah_1arIik" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Sunderland 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/LGprGhmr-as"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/LGprGhmr-as" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Sunderland 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/N4g8AcHjLgc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/N4g8AcHjLgc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/tGZv6rSRvTo"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/tGZv6rSRvTo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Poema | Canaro<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/xja-MqC8b60"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/xja-MqC8b60" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Nsm4GT83UVo"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Nsm4GT83UVo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/_ufIfH4Z87w"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/_ufIfH4Z87w" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Bruma |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/1TyqjMp2HNI"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/1TyqjMp2HNI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: | Biagi<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Amsterdam | 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/lSM7T2Q6-UY"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/lSM7T2Q6-UY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Amsterdam | 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/9XhGLGuI-u0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/9XhGLGuI-u0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga: El Lloron<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Mantova | Tango Festival 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/DzGYg07n6Vc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/DzGYg07n6Vc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Primavera Porteña | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><br /><br />Mantova | Tango Festival 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/U2EL2jTKM9c"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/U2EL2jTKM9c" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Adios Arrabal | Vargas-Agostino<br />Milonga: Asi es la milonga | Castillo<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires<br /></p><embed src="http://tangovideoproject.com/htdocs/video/q/1167056962.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="true" width="640" height="495"></embed><br />Milonga: No hay tierra como la mia | Francisco Canaro<br />Fonte: <a href="http://tangovideoproject.com/">TangoVideoProject</a><br /><p></p><p><br /><br />Italy | 2003<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/SiXU5DhXmK4"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/SiXU5DhXmK4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Italy | 2003<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/i5mLrqV8vbg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/i5mLrqV8vbg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Italy | 2003<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Gi_VWQP79RE"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Gi_VWQP79RE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Italy | 2003<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/KEc-x3qiFDg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/KEc-x3qiFDg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Italy | 2003<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/flPNuIDQpzs"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/flPNuIDQpzs" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | CITA 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/EyZq6sOLI0g"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/EyZq6sOLI0g" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: PlanoSecuencia | Narcotango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br /><table xmlns="http://purl.org/atom/ns#" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td colspan="2"><embed id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docId=-3822580399025706059" style="width: 400px; height: 326px;" type="application/x-shockwave-flash"></embed> </td></tr><tr></tr><tr><td><br /></td></tr></tbody></table><br />Tango: Cite Tango | Piazzolla<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br /><br />Mantova | 2004<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/QAiNAiB6Tlg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/QAiNAiB6Tlg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals: La Tapera | Edgardo Donato<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115386800138180386?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153924915108800172006-07-25T00:01:00.001+01:002008-06-14T20:10:54.255+01:00Chicho Frumboli & Victoria Vieyra<span style="color: rgb(0, 0, 0);">.</span><br />webpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (victoria): <a href="http://www.victoria2013.com">www.victoria2013.com</a><br /><br />"Danse là-bas" | Bajo Tango 2003<br /><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/uqO23SSMqQg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/uqO23SSMqQg" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Tanguedia II | Piazzolla<br />Fonte: <a href="http://www.ar8.com.fr/gitango/">Gitango</a> | © <span style="font-size:85%;">BAJO TANGO <span style="font-size:78%;">- MONTAGE : ALEJANDRO RUMOLINO, VICTORIA VIEYRA // IMAGES: ALEJANDRO RUMOLINO // EQUIPE TECHNIQUE: NICOLAS SEDEL - CAMÉRA 2, MARTIN VASQUEZ - LUMIÈRE ET DÉCORS, J. P. ESPINOZA - SON – THÉÂTRE DU VERRE - PARIS AOÛT 2003</span></span><br /><p></p><br /><br />"Danse là-bas" | Ekos 2003<br /><embed src="http://www.sinivia-t2m.com/ekos/ekos.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="false" height="255" width="320"></embed><br />Tango: Perfume | Bajofondo<br />Fonte: <a href="http://www.sinivia-t2m.com/">Adriano Sinivia</a> | ©<span style="font-size:85%;"> EKOS <span style="font-size:78%;">- EDITION : MARIANO FRUMBOLI // IMAGES: ALEJANDRO RUMOLINO // EQUIPE TECHNIQUE: NICOLAS SEDEL - CAMÉRA 2, MARTIN VASQUEZ - LUMIÈRE ET DÉCORS - THÉÂTRE DU VERRE - PARIS AOÛT 2003</span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115392491510880017?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153869116750626802006-07-24T00:07:00.000+01:002006-12-30T16:39:30.226+01:00Fabian Salas & Cecilia Gonzalez</br><br /><table xmlns="http://purl.org/atom/ns#" border="0" cellpadding="0" cellspacing="0"><tr><td colspan="2"><embed id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docId=252591294443009222" style="width:400px; height:326px;" type="application/x-shockwave-flash"> </embed></td></tr><tr/><tr><td></td></tr></table>Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/XXDK18mMhLE"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/XXDK18mMhLE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Soledad | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115386911675062680?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153869508963629232006-07-22T00:15:00.003+01:002008-10-11T02:58:46.710+01:00Juan Capriotti & Graciana Romeowebpage: <a href="http://www.juanygraciana.eu/">www.juanygraciana.eu </a><br />blog: <a href="http://www.juanygraciana.blogspot.com/">www.juanygraciana.blogspot.com </a><br />classes: <a href="http://www.lisboaemtango.blogspot.com/">www.lisboaemtango.blogspot.com</a><br /><br />Valencia | V Encuentro de Aficcionados al Tango<br /><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/_r6tyYDQ1Uo"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/_r6tyYDQ1Uo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br />Tango: Junto a tu Corazón | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />Valencia | V Encuentro de Aficcionados al Tango<br /><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/bCGSqGPtBag"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/bCGSqGPtBag" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br /><br />Valencia | V Encuentro de Aficcionados al Tango<br /><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/qY5FnccpeeQ"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/qY5FnccpeeQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object><br />Song: Tradicional<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/dU6QKvb0NI0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/dU6QKvb0NI0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/dU6QKvb0NI0"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/dU6QKvb0NI0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/dU6QKvb0NI0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/DlgAWaVU_EM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/DlgAWaVU_EM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/DlgAWaVU_EM"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/DlgAWaVU_EM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/DlgAWaVU_EM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/4eBdaKXnzmM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/4eBdaKXnzmM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/4eBdaKXnzmM"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/4eBdaKXnzmM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/4eBdaKXnzmM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Workshop: Summary<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/9ub_OTejVVA"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/9ub_OTejVVA"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/9ub_OTejVVA"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/9ub_OTejVVA"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/9ub_OTejVVA" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Workshop: Volcada<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/uQSkYElZ5ww"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/uQSkYElZ5ww"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/uQSkYElZ5ww"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/uQSkYElZ5ww"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/uQSkYElZ5ww" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Workshop: Soltadas<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Nijmegen | IV Doble OCho Tango Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/hezAZK_RDcI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/hezAZK_RDcI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/hezAZK_RDcI"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/hezAZK_RDcI"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/hezAZK_RDcI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Workshop: Milonga Traspié<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><br />Porto | Muxima Bar 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/CTPZMlam28U"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/CTPZMlam28U"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/CTPZMlam28U"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/CTPZMlam28U"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/CTPZMlam28U" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://http//www.youtube.com">Youtube</a><br /></p><p><br /><br />Lisboa | Recuerdo 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://www.youtube.com/v/zh_ejK-bTow"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/zh_ejK-bTow"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://www.youtube.com/v/zh_ejK-bTow"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/zh_ejK-bTow"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/zh_ejK-bTow" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Video clip: Steffano Menini<br />Fonte: <a href="http://http//www.youtube.com">Youtube</a><br /></p><p><br /><br />Lisboa<br /></p><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/una%20llamada.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/una%20llamada.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/una%20llamada.mov"></a><embed src="http://pwp.netcabo.pt/0246236201/web/videos/una%20llamada.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="true" width="240" height="180"></embed><br />Tango: Una Llamada | Tanghetto<br />Fonte: <a href="http://http//www.juanygraciana.eu">juanygraciana</a><br /><p></p><p><br /><br />Lisboa<br /></p><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/humo.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/humo.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/humo.mov"></a><embed src="http://pwp.netcabo.pt/0246236201/web/videos/humo.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="true" width="240" height="180"></embed><br />Tango: Humo | Carlos Libedinsky<br />Fonte: <a href="http://www.juanygraciana.eu/">juanygraciana</a><br /><p></p><p><br /><br />Lisboa<br /></p><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-01626180372960644 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/fado.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/fado.mov"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-022365956589386093 visible ontop" href="http://pwp.netcabo.pt/0246236201/web/videos/fado.mov"></a><embed src="http://pwp.netcabo.pt/0246236201/web/videos/fado.mov" pluginspage="http://www.apple.com/quicktime/download/" type="video/quicktime" cache="true" controller="true" autoplay="false" kioskmode="true" width="240" height="180"></embed><br />Fado: Sopra demais o vento | Camané<br />Fonte: <a href="http://www.juanygraciana.eu/">juanygraciana</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115386950896362923?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153871935612624092006-07-21T00:57:00.000+01:002006-12-30T17:02:31.620+01:00Julio Balmaceda & Corina de la Rosa</br><br />Slovenia | Ljubljana Tango Festival 2006 <br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/uVYA3rXmCxg"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/uVYA3rXmCxg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Salon Canning 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/5-aR9GKingI"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/5-aR9GKingI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Buenos Aires | Salon Canning 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/cPbtvJibKEU"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/cPbtvJibKEU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a> | © <a href="http://www.tangoafficionado.com">TangoAfficionado</a><br /></p><p><br /><br />Buenos Aires | Salon Canning 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/LgJS7UYeBbE"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/LgJS7UYeBbE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a> | © <a href="http://www.tangoafficionado.com">TangoAfficionado</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139325810.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Tango: El Adios | Edgardo Donato<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139326173.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Tango: A Evaristo Carriego | Pugliese<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139326072.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Tango: Oblivion | Piazzolla<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139325885.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Vals: El viejo vals | Francisco Rotundo<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139325985.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Milonga: Morena | EstebanMorgado<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></p><p><br /><br />Denver | Tango Festival 2005<br /><embed id="mediaPlayer" name="mediaPlayer" pluginspage="http://microsoft.com/windows/mediaplayer/en/download/" src="http://tangovideoproject.com/htdocs/video/w/1139325415.wmv" width="700" height="450" type="application/x-mplayer2" displaysize="4" autosize="-1" bgcolor="black" showcontrols="true" showtracker="-1" showdisplay="0" showstatusbar="-1" videoborder3d="-1" autostart="false" designtimesp="5311" loop="false"></embed><br />Live acoustic guitar<br />Fonte: <a href="http://tangovideoproject.com/cgi-bin/video.pl">Tango Video Project</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115387193561262409?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153872101833134812006-07-20T01:01:00.000+01:002007-01-01T14:23:33.006+01:00Osvaldo Zotto & Lorena Ermocida</br><br />Buenos Aires | Confiteria Ideal<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/wYjmx6VN-38"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/wYjmx6VN-38" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals: Desde el alma<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Buenos Aires | Confiteria Ideal<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/1UFZ5f2gYXk"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/1UFZ5f2gYXk" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Buenos Aires | Salon Canning 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/tXT38rF0wZ0"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/tXT38rF0wZ0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Naranjo en Flor<br />Fonte: <a href="http://www.youtube.com/">Youtube</a> | © <a href="http://www.tangoafficionado.com">TangoAfficionado</a><br /><p></p><br /><br />Buenos Aires | Salon Canning 2005<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/pdljwZkgWDI"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/pdljwZkgWDI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Gallo Ciego | Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a> | © <a href="http://www.tangoafficionado.com">TangoAfficionado</a><br /><br /><br />Genova | Summer Festival 2003<br /><embed src="http://www.genovatango2004.it/2003video_giugno/2003video_giugno_zotto_kb128.rpm" type="audio/x-pn-realaudio-plugin" console="_master" nojava="true" controls="ImageWindow" height="288" width="360"></embed><br /><br /><embed src="http://www.genovatango2004.it/2003video_giugno/2003video_giugno_zotto_kb128.rpm" type="audio/x-pn-realaudio-plugin" console="video1" nojava="true" controls="ControlPanel" height="25" width="360"></embed><br />Tango<br />Fonte: <a href="http://www.blogger.com/%20http://www.genovatangofestival.it/"> Genova Tango Festival</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115387210183313481?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153872294911732062006-07-19T01:02:00.000+01:002006-12-30T17:17:24.990+01:00Roberto Herrera & Jorgelina Guzzi</br><br />Florianopolis | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/RpYC0kgc40c"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/RpYC0kgc40c" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Florianopolis | Tango Festival 2006<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/yV6WfIssRLE"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/yV6WfIssRLE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Class<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115387229491173206?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1154462649501444482006-02-03T00:01:00.000+01:002007-12-24T15:42:59.185+01:00Pablo Villarraza & Dana Frigoliwebpage: <a href="http://www.pabloydanatango.com.ar/">www.pabloydanatango.com.ar</a><br />classes: <a href="http://www.estudiodnitango.com.ar/">www.estudiodnitango.com.ar</a><br /><br /><p></p><p><br /><br />Lisboa | FTL 2006<br /></p><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://video.google.com/googleplayer.swf?docId=2626088731211300009&amp;hl=en"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://video.google.com/googleplayer.swf?docId=2626088731211300009&amp;hl=en"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://video.google.com/googleplayer.swf?docId=2626088731211300009&amp;hl=en"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://video.google.com/googleplayer.swf?docId=2626088731211300009&amp;hl=en"></a><embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=2626088731211300009&amp;hl=en"></embed><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><p><br /><br />Lisboa | FTL 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rBpPS9MBCQQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rBpPS9MBCQQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rBpPS9MBCQQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rBpPS9MBCQQ"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/rBpPS9MBCQQ"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/rBpPS9MBCQQ" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">YouTube</a><br /></p><p><br /><br />Lisboa | FTL 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rpO0nvCwKEM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rpO0nvCwKEM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rpO0nvCwKEM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/rpO0nvCwKEM"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/rpO0nvCwKEM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/rpO0nvCwKEM" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">YouTube</a><br /></p><p><br /><br />Buenos Aires | Salon Canning 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Y1jYa0tNNDc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Y1jYa0tNNDc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Y1jYa0tNNDc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Y1jYa0tNNDc"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/Y1jYa0tNNDc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Y1jYa0tNNDc" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">YouTube</a><br /></p><p><br /><br />Manchester | La Tasca 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/2IU8eWuFVbM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/2IU8eWuFVbM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/2IU8eWuFVbM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/2IU8eWuFVbM"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/2IU8eWuFVbM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/2IU8eWuFVbM" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.blogger.com/%20http://www.milongueros.net/">milongueros.net</a><br /></p><p><br /><br />Manchester | La Tasca 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/xHLQYeBovrw"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/xHLQYeBovrw"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/xHLQYeBovrw"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/xHLQYeBovrw"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/xHLQYeBovrw"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/xHLQYeBovrw" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.blogger.com/%20http://www.milongueros.net/">milongueros.net</a><br /></p><p><br /><br />Manchester | La Tasca 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/CUjTzf5XznI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/CUjTzf5XznI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/CUjTzf5XznI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/CUjTzf5XznI"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/CUjTzf5XznI"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/CUjTzf5XznI" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.blogger.com/%20http://www.milongueros.net/">milongueros.net</a><br /></p><p><br /><br />Manchester | La Tasca 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/ErRcxQTR_ro"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/ErRcxQTR_ro"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/ErRcxQTR_ro"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/ErRcxQTR_ro"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/ErRcxQTR_ro"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/ErRcxQTR_ro" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.blogger.com/%20http://www.milongueros.net/">milongueros.net</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115446264950144448?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153961862555688512006-01-28T00:01:00.000+01:002007-12-24T15:27:28.902+01:00Miguel Angel Zotto & Milena Plebs</br><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/jSFkVrTJ_Ig"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/jSFkVrTJ_Ig" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango: Gallo Ciego | Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Compañia Tangox2<br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/nNC1hxijPl8"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/nNC1hxijPl8" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tangoshow<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115396186255568851?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153940643360917362006-01-27T00:01:00.000+01:002007-12-24T15:28:37.114+01:00Ezequiel Farfaro & Milena Plebs</br><br />Genova | Summer Festival 2002<br /><embed src=" http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_2esibizione_plebs_farfaro_kb128.rpm" width="360" height="288" type="audio/x-pn-realaudio-plugin" controls="ImageWindow" nojava="true" console="_master"></embed><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_2esibizione_plebs_farfaro_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" controls="ControlPanel" nojava="true" console="video1"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src="http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_3esibizione_plebs_farfaro_kb128.rpm" width="360" height="25" type="audio/x-pn-realaudio-plugin" controls="ControlPanel" nojava="true" console="video2"></embed> <br />Milonga<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /><br /><embed src=" http://www.pakytango.it/2002video_giugno/summer_festival_2002_ge_8esibizione_plebs_farfaro_kb128.rpm " width="360" height="25" type="audio/x-pn-realaudio-plugin" controls="ControlPanel" nojava="true" console="video3"></embed> <br />Tango<br />Fonte: <a href="http://www.pakytango.it/">pakytango</a><br /></p><p><br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Fkk-OGdoR7M"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/Fkk-OGdoR7M" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></br><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115394064336091736?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-54110336867285120502006-01-20T00:01:00.005+01:002008-06-14T20:12:43.758+01:00Chicho Frumboli & Lucia Mazer<span style="color: rgb(0, 0, 0);">.</span><br />webpage (chicho): <a href="http://www.ar8.com.fr/gitango">www.ar8.com.fr/gitango</a><br />webpage (lucia):<br /><br />Buenos Aires | La Viruta<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/PjWn2en7jnw&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/PjWn2en7jnw&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: El Violín de Becho | Alfredo Zitarrosa<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Greece | Tango Festival 2007 Syros<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/XT2q1P0v81M&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/XT2q1P0v81M&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango: | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Greece | Tango Festival 2007 Syros<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/hKKPZtHRcPQ&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/hKKPZtHRcPQ&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Greece | Tango Festival 2007 Syros<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/4pIXSystHJw&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/4pIXSystHJw&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Greece | Tango Festival 2007 Syros<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/SQzS4-0EwgU&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/SQzS4-0EwgU&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Greece | Tango Festival 2007 Syros<br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/ifMh2dfht8U&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/ifMh2dfht8U&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" height="344" width="425"></embed></object><br />Electro Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy | Torino Festival 2007<br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/oNEzGT8MWPY"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/oNEzGT8MWPY" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br />Song: Last Tango in Paris | Gato Barbieri<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p></p><p><br /><br /><br />Buenos Aires | La Viruta<br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/PjWn2en7jnw"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/PjWn2en7jnw" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br />Song: El Violín de Becho | Alfredo Zitarrosa<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-03104177127963772 visible ontop" href="http://www.youtube.com/v/L_wM2SJnQx0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/L_wM2SJnQx0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/L_wM2SJnQx0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Bahia Blanca | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br />Italy | Mantova Festival 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-03104177127963772 visible ontop" href="http://www.youtube.com/v/JndYvVQAnIk"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/JndYvVQAnIk"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/JndYvVQAnIk" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Soledad | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p></p><p><br /><br />Italy | Torino Festival 2007<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-03104177127963772 visible ontop" href="http://www.youtube.com/v/x3_nSLvzwlY"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/x3_nSLvzwlY"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/x3_nSLvzwlY" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-5411033686728512050?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153872551845162812006-01-15T00:01:00.000+01:002007-12-24T14:59:45.256+01:00Javier Rodriguez & Geraldine Rojas<a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/stXSB9_hQ4g"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/stXSB9_hQ4g"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/stXSB9_hQ4g" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />| Tangocamp 2004<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/lHn1LK43dJ0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/lHn1LK43dJ0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/lHn1LK43dJ0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga: Reliquias Porteñas<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />| Tangocamp 2004<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/eCMptJg3o-M"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/eCMptJg3o-M"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/eCMptJg3o-M" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Mala Junta<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Taipei | Festival 2004<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/TnsKmzRC3bM"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/TnsKmzRC3bM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/TnsKmzRC3bM" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Bologna | Tangomania Summer Festival<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/jHbk-1SjwXE"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/jHbk-1SjwXE"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/jHbk-1SjwXE" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/UUlA75wbtlg"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/UUlA75wbtlg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/UUlA75wbtlg" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115387255184516281?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153858174299794132006-01-10T00:01:00.000+01:002007-12-24T14:55:10.165+01:00Sebastian Arce & Mariana Monteswebpage: <a href="http://www.tango-renaissance.com">www.tango-renaissance.com</a><br /><br /><br />Lisboa | FTL 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://video.google.com/googleplayer.swf?docId=5875045301858499196&amp;hl=en"></a><embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=5875045301858499196&amp;hl=en" flashvars=""></embed><br />Tango<br />Fonte: <a href="http://video.google.com/">GoogleVideo</a><br /><p></p><p><br /><br />Lisboa | FTL 2005<br /></p><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://grouper.com/mtg/mtgPlayer.swf?v=1.7"></a><embed allowscriptaccess="never" src="http://grouper.com/mtg/mtgPlayer.swf?v=1.7" quality="high" scale="noScale" flashvars="vurl=http%3a%2f%2fgrouper.com%2frss%2fflv.ashx%3fid%3d1611633%26rf%3d-1&amp;vfver=8&amp;ap=0&amp;extid=-1" wmode="window" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash" type="application/x-shockwave-flash" height="325" width="400"></embed><br />Milonga<br />Fonte: <a href="http://www.grouper.com/">Grouper</a><br /><p></p><p><br /><br />Lisboa | FTL 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/PlozbqkYcA8"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/PlozbqkYcA8"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/PlozbqkYcA8" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Toulouse | La Vitrola<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/0rjbyYF3peo"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/0rjbyYF3peo"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/0rjbyYF3peo" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Milonga<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/7gpApOeWl44"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/7gpApOeWl44"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/7gpApOeWl44" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Sentimientos | Andres Linetzky, Ernesto Romeo<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/EsIR_ywjkrg"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/EsIR_ywjkrg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/EsIR_ywjkrg" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Sin Piel | Electrocutango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/yz377pnjZB0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/yz377pnjZB0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/yz377pnjZB0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Años de Soledad<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/oUZ7q-6H18A"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/oUZ7q-6H18A"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/oUZ7q-6H18A" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Ncpib7mnDks"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/Ncpib7mnDks"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Ncpib7mnDks" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/nJsu-6gW9Tw"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/nJsu-6gW9Tw"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/nJsu-6gW9Tw" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Istanbul | Tango Festival 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/NehO7hvvZ2c"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/NehO7hvvZ2c"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/NehO7hvvZ2c" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br /><br />Sebastian Arce &amp; Mariana Montes<br />Pablo Inza &amp; Moira Castellano<br /><br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115385817429979413?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153932568272146882006-01-05T00:01:00.000+01:002007-12-24T14:41:48.620+01:00Esteban Moreno & Claudia Codegawebpage: <a href="http://www.estebanyclaudia.com">www.estebanyclaudia.com</a><br /><br /><br />Buenos Aires | Firpo's Festival 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OElkTT8TkLg"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible" href="http://www.youtube.com/v/OElkTT8TkLg"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OElkTT8TkLg"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/OElkTT8TkLg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/OElkTT8TkLg" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Istanbul | Tango Ritual 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/UD36kmbJFJA"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/UD36kmbJFJA"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/UD36kmbJFJA"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/UD36kmbJFJA"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/UD36kmbJFJA" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Istanbul | Tango Ritual 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/9uKoeiUCcTg"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/9uKoeiUCcTg"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/9uKoeiUCcTg"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/9uKoeiUCcTg"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/9uKoeiUCcTg" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Istanbul | Tango Ritual 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LxMZD4nwDuc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LxMZD4nwDuc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LxMZD4nwDuc"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/LxMZD4nwDuc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/LxMZD4nwDuc" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LEBzW4FsHC0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LEBzW4FsHC0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/LEBzW4FsHC0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/LEBzW4FsHC0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/LEBzW4FsHC0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Sacramento | Neo Tango Sacramento Festival 2005<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/KImLlILVxBc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/KImLlILVxBc"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/KImLlILVxBc"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/KImLlILVxBc"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/KImLlILVxBc" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Buenos Aires Hora 0 | Piazzolla<br />Fonte: <a href="http://www.youtube.com/">Youtube</a> | © Tango Renaissance<br /><p></p><br /><br />Buenos Aires | Porteno Bailarin 2004<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/sDX7qkh62ic"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/sDX7qkh62ic"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/sDX7qkh62ic"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/sDX7qkh62ic"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/sDX7qkh62ic" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Volver a Vernos | Di Sarli<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br />Buenos Aires | Porteno Bailarin 2004<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/HYAVIGzHo-0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/HYAVIGzHo-0"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/HYAVIGzHo-0"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/HYAVIGzHo-0"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/HYAVIGzHo-0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Zum | Pugliese<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><br /><br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/WUUrAg3a6mU"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/WUUrAg3a6mU"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/WUUrAg3a6mU"></a><object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/WUUrAg3a6mU"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/WUUrAg3a6mU" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"></embed></object><br />Tango: Zum | Pugliese<br />Fonte: <a href="http://www.estebanyclaudia.com/">estebanyclaudia</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115393256827214688?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-1153873625676904922006-01-01T00:01:00.010+01:002008-06-27T12:59:20.707+01:00Alberto Colombo & Alessandra Rizzotti<span style="color: rgb(0, 0, 0);">.</span><br />webpage: <a href="http://www.albertoealessandra.it/">www.albertoealessandra.it</a><br /><br />Italy |Capri Tango Festival 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/8jZQDXydMfs&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/8jZQDXydMfs&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Italy |La Casa del Tango 2007<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/0tdsWThCkk8&amp;hl=en&amp;rel=0"><embed src="http://www.youtube.com/v/0tdsWThCkk8&amp;hl=en&amp;rel=0" type="application/x-shockwave-flash" width="425" height="344"></embed></object><br />Milonga: El Lloron |<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /><br />Bologna | 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/JBZJtjW5FAQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/JBZJtjW5FAQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/JBZJtjW5FAQ"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/JBZJtjW5FAQ"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/JBZJtjW5FAQ"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/JBZJtjW5FAQ" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><p></p><p><br /><br />Bologna | 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Um1uHjUWOcM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Um1uHjUWOcM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Um1uHjUWOcM"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/Um1uHjUWOcM"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Um1uHjUWOcM"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/Um1uHjUWOcM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Bologna | 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/NhSeYcrG0MI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/NhSeYcrG0MI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/NhSeYcrG0MI"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/NhSeYcrG0MI"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/NhSeYcrG0MI"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/NhSeYcrG0MI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br /><br />Bologna | 2006<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/qT7qPTAlhCo"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/qT7qPTAlhCo"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/qT7qPTAlhCo"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/qT7qPTAlhCo"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/qT7qPTAlhCo"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/qT7qPTAlhCo" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Milan | Open Gallery<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/IWg4G6eMqck"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/IWg4G6eMqck"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/IWg4G6eMqck"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/IWg4G6eMqck"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/IWg4G6eMqck"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/IWg4G6eMqck" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Tango<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /></p><p><br /><br />Milan | Open Gallery<br /><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OHkDBE-sAX4"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OHkDBE-sAX4"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OHkDBE-sAX4"></a><a style="left: 0px ! important; top: 15px ! important;" title="Click here to block this object with Adblock Plus" class="abp-objtab-07486073840844703 visible ontop" href="http://www.youtube.com/v/OHkDBE-sAX4"></a><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/OHkDBE-sAX4"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/OHkDBE-sAX4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />Vals<br />Fonte: <a href="http://www.youtube.com/">Youtube</a><br /><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-115387362567690492?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-25835425794792358022005-01-01T23:52:00.000+01:002008-10-11T23:53:17.440+01:00Interview with Carlos LibedinskyFonte: <a href="http://www.tangoitu.com/">http://www.tangoitu.com</a> | Lydia Essary<br /><br /> <div style="font-style: italic;" align="justify"> Narcotango’s director &amp; composer speaks to Tango Noticias. The interview took place at the studio of Tademus school of music at Jose Hernández 2535, barrio de Belgrano, Buenos Aires on October 3, 2007 at 2 pm. The interview was conducted by Lydia Essary. Editing and translation by Lydia Essary. </div> <br /><div align="justify"> <b>THE TANGO SCENE AT THE BEGINNING</b><br /><br /><b>Lydia Essary:</b> How and when did you become interested in tango?<br /><br /><b>Carlos Libedinsky:</b> My interest in tango started about 15 years ago, while playing around with musician friends in one of those “guitarreadas” (guitar ensembles). We played, improvised tango tunes, and some of those tunes were coming from somewhere, probably from our infancy. I had never played tangos before, even though tangos were played at home all the time. My dad was a tango fan and a good dancer according to some: just amateur, not professional. He was a dentist. My dad always tried to teach me to dance. I was interested in the rock &amp;roll, blues then, but not tango.<br /><br /><b>LE:</b> So, it was an accident. What propitiated this accident?<br /><br /><b>CL:</b> Well, someone starts playing something, and the others follow. Nobody in that group was precisely a tanguero, and I can’t remember how the tangos popped up. Then, we started singing, ramdomly, one or other tango: “Cambalache,” describing how things go in our country, right?<br /><br /><b>LE:</b> It was indeed an accident!<br /><br /><b>CL:</b> Exactly. And 10 years after this event I had a similar situation. I was on tour with a tango group. At a milonga, there was a couple teaching on one of the sides of the dance floor. I was sitting at a table with the group not doing much, so we went there to take the class just to have fun. Well, this experience was a revelation, just like happened ten years prior. I became interested in dancing, and my tango as a musician made a 360 degree turn. Dancing tango gave me the impression that there was not a connection with the present time. The music played at the milongas had been composed many years ago. Even though I loved the music, I felt that there was a need for the presence of the 21st century.<br /><br /><b>LE:</b> Were there any other electronic tango groups?<br /><br /><b>CL:</b> There were not: there was nothing new in the music that people danced. On the other hand, there was a lot of new stuff in the tango dance.<br /><br /><b>LE:</b> Were there any other groups playing electronic tango?<br /><br /><b>CL:</b> No, well, later we heard that several were concurrently developing the concept of electronic tango.<br /><br /><b>LE:</b> Was Gotan playing at that time?<br /><br /><b>CL:</b> I am talking around 1999-2000, about 3 years before the first Narcotango CD was released. In the year 2001 I recorded a CD named Aldea Global.<br /><br /><b>LE:</b> I recall seeing you promoting your CD at one of the milongas, maybe Torquato Tasso? You performed by yourself, with your guitar.<br /><br /><b>CL:</b> Maybe Salon Canning or at El Beso. The CD was released in August 2001. That CD had 2 electronic themes, because it happened that I got interested in the concept of electronic music when I was recording the CD. Aside from those two themes, it contains vocal recordings of my compositions with contemporary themes with a more traditional style.<br /><br /><b>LE:</b> And what is the theme of the other songs?<br /><br /><b>CL:</b> They were themes with a humorous tone, a bit unusual for tango, that had to do with romantic relationships.<br /><br /><b>CARLOS’S EDUCATIONAL BACKGROUND</b><br /><br /><b>LE:</b> Could you tell us briefly about your musical education?<br /><br /><b>CL:</b> I started playing the guitar at age 6 and studied with several teachers. I finished high school and continued my academic training in a private school here in Argentina. I studied classical music and related studies such as composition, counterpoint, morphology and analysis. Concurrently, I played in several groups, different styles including jazz, rap and blues. Prior to that, I worked with theatrical groups as a musician.<br /><br /><b>LE:</b> Doing what type of music?<br /><br /><b>CL:</b> Well, that depended on the subject of the script. The idea was to write original music in a style that was consonant with the theatrical piece. This experience in theater has influenced somehow my approach as a musician. When I started working on electronic tango, I had a scenic image of the milonga; I wanted to represent what was happening there. I was inspired in the scenic context of life, but with the codes that are involved in bringing something to the stage. Then, in some way, Narcotango was a way to musicalize the milonga, to do the sound of a piece on stage named “The Milonga.”<br /><br /><b>LE:</b> On the personal side, are you from Buenos Aires?<br /><br /><b>CL:</b> I was born in Buenos Aires, in Villa Crespo.<br /><br /><b>LE:</b> What instructors had more influence in your musical education?<br /><br /><b>CL:</b> I had a piano instructor named Celina Suez, with whom I started studyng at age 16. She put order to all my prior musical training. I had learned with different teachers in a random, unorganized way.<br /><br /><b>LE:</b> How did she organize it? What did she do?<br /><br /><b>CL:</b> She first saw what I brought, then she started filling the gaps.<br /><br /><b>LE:</b> Did you say she was a piano teacher?<br /><br /><b>CL:</b> Yes, I studied piano and musical pedagogy with her. When I was 15, I started teaching the guitar. I had students; however, I did not have any training for teaching. I was teaching the way my teachers had taught me, and to learn that way, without any method or program, required a lot of passion from the student to offset the lack of methodology. It was good to have Celina, she had the expertise I needed. She started filling the gaps in my musical training. For instance, I had some knowledge of jazz harmony but had no information on progression of voices in jazz harmony. I had an empirical knowledge of harmony from working and playing in popular music, but there were concepts in classical music that I needed to have in order to compose properly and to understand what distinguishes Baroque from Romantic music. Celina taught my harmony basics.<br /><br /><b>LE:</b> As part of the music pedagogy course?<br /><br /><b>CL:</b> Yes, in addition she reviewed everything I needed, joining the scattered pieces of my prior training.<br /><br /><b>LE:</b> Was this learning, private?<br /><br /><b>CL:</b> Yes<br /><br /><b>LE:</b> So you had an individualized course, not geared towards a degree?<br /><br /><b>CL:</b> At that time no. Following Celina’s training, I attended a school named Musodomus, where I had a more structured, academic curriculum, oriented to form musicians.<br /><br /><b>LE:</b> Did you get a degree in music?<br /><br /><b>CL:</b> No, not in music. I tried, but the education at conservatories was too traditional and old fashion for my taste. I was not happy with some of the trends and concepts, so I decided to use my time elsewhere.<br /><br /><b>THE BEGINNING OF ELECTRONIC TANGO</b><br /><br /><b>LE:</b> Did you follow any electronic tango model? Was Gotan around?<br /><br /><b>CL:</b> No. Gotan was not around when I started working. I was telling you about Aldea Global because that CD was released a little bit before the first Gotan Tango CD went out (in 2001).<br /><br /><b>LE:</b> How do you define your music? From the musical standpoint what do you try to emphasize?<br /><br /><b>CL:</b> In Narcotango, we try to include the electronic component as one more instrument, not as the principal instrument. I see, in lots of cases of electronic tango, that there is an electronic foundation with some touches by bandoneons or samplers. With this, I am not saying that our style is better or not, but the emphasis is in a different place. The idea of producing this style is also a mode of expression. I think Narcotango has a strong tango sensibility.<br /><br /><b>LE:</b> So, are you giving all instruments an opportunity to play the main theme?<br /><br /><b>CL:</b> Narcotango is a very melodic music, easy to recognize, follow and sing. The melody takes an important place in the composition. It is common to see the beat taking command in electronic music. It seems like rhythm is more important, the samplers, a repetitive beat. In Narcotango there is a main melody or theme building up and that progression is usually taken by the bandoneon, the violin or voice.<br /><br /><b>LE:</b> What is a sampler?<br /><br /><b>CL:</b> Samplers are, as the word says, small electronic ‘samples’ of sound that have been altered with filters, under certain sound parameters that generate a determinate effect. (They are be played back using a keyboard or other electronic musical interface device. )<br /><br /><b>LE:</b> I had the impression that a few of your songs have some Piazzolla taste. Do they?<br /><br /><b>CL:</b> Maybe it is your impression. Maybe the song that is written more in the style of Piazzolla is one from the Narcotango 2 CD named “Tres son Multitud,” because it is a song with lots of counterpoint, almost fugue style, pretty much in the style Piazzolla composed.<br /><br /><b>LE:</b> When you compose, do you come up first with a melody? Or, do you work on arrangements you might eventually put together?<br /><br /><b>CL:</b> I don’t have a single format to direct a composition, and in general I don’t make plans to sit to compose. It can happen any time during the day, or playing the guitar; now playing the bandoneon, because I started to play it a month ago. I am taking lessons with Fernando Taborda. There are different ways I begin to compose. As an example, in the last CD, we have the theme “Esa.” I was at a café with Rosana, our vocalist and my woman, and she happened to draw a staff and a few notes in my hand. Rosana is a singer but she does not read music. She wrote the notes randomly. I read what she wrote, and it was a line that the bass plays in “Esa” (starts humming….). (****Note: There is an MP3 with a recording of this segment of the interview if you want it –See attachments)<br /><br /><b>LE:</b> She wrote it? I love that song!<br /><br /><b>CL:</b> Well, the main theme is the bass line. It is a very strong line.<br /><br /><b>LE:</b> How did you select the members of the group? How was the first time?<br /><br /><b>CL:</b> The first time was after the release or our first CD. Narcotango 1 was entirely produced in this studio. So, as I was making progress in my compositions, I called the musicians, some of them my friends, to record. There was not an established group. I didn’t know whether we were going to need a group to play live, or if this project was going to be just a studio project. As I recorded the songs, I started passing out some demos to my dancer friends, to play them around. Well, they were well accepted. Some of these friends took the demos abroad and were also successful when they played them.<br /><br /><b>LE:</b> What song were in the demo?<br /><br /><b>CL:</b> "Vi Luz y Subi", "Plano Sequencia", "Otra Luna", all these were the first themes of Narcotango. Also "Transtango" and "Mi Buenos Aires Querido" from the Aldea Global CD. These songs attracted many dancers. We started to receive requests from abroad and from here. There were local dancers calling me to request the "demo". We saw that something that started almost like a game or an experiment in the studio had attracted many people in the world of music. That happened probably the year before the Narcotango 1 CD release. Marijke de Vries, the organizer of Tango Magia in Amsterdam happened to be here and heard the demo at a milonga, former Practica X of Pablo Inza y Federico Farfaro, and she liked it a lot. She hired us to go to the next Tango Magia even though there was not an organized group. That invitation was a real incentive for us.<br /><br /><b>LE:</b> What year was it?<br /><br /><b>CL:</b> It was in 2003. She visited Buenos Aires in March and the festival was on December 31. So, we played on December 31, had a little break, and concluded on January 1, 2004. It was a golden closure.<br /><br /><b>LE:</b> So, you had to rush assembling a group?<br /><br /><b>CL:</b> Right. I had to call the musicians that were already recording with me. Maraijke wanted to listen to us live. But the group did not exist yet. I told her, “Give me a week. We’ll be rehearsing as a group, you can come to listen, see if you like it.”<br /><br /><b>LE:</b> Where did you rehearse, right here?<br /><br /><b>CL:</b> We rehearsed right here. The studio was much smaller at that time.<br /><br /><b>LE:</b> How many musicians in the group?<br /><br /><b>CL:</b> We had Fernando del Castillo (drums), Sebastián Monk (piano), Patricio Bonfiglio (bandoneon) and Federico Terranova (violin).<br /><br /><b>LE:</b> Was Rosana there?<br /><br /><b>CL:</b> Yes, but she had only 2 themes.<br /><br /><b>LE:</b> Is the group still the same?<br /><br /><b>CL:</b> Pretty much with exception of the bandoneon and violin.<br /><br /><b>LE:</b> Do you select the musicians on audition?<br /><br /><b>CL:</b> There are people recommended by somebody or found through word of mouth. It was difficult at the beginning because many tango musicians, bandoneonists and others, are not used to playing any other music but tango. That was a drawback because Narcotango requires a lot of improvisation, skills from other types of music. It requires a good tango foundation with an open mind. Then, the selection of musicians was not easy. Right now we have Federico Biraben on the bandoneón, Marcelo Vaccaro on bass, and Rosana (voice) who is doing more of the violin parts.<br /><br /><b>LE:</b> Have you thought of doing lyrics? Do lyrics fit with electronic tango?<br /><br /><b>CL:</b> We haven’t thought of it. If it happens, it’ll be very welcome. I think it fits.<br /><br /><b>LE:</b> It must be difficult to write lyrics, does Rosana write?<br /><br /><b>CL:</b> No, she doesn’t, but she likes lyrics. She always asks me to sing lyrics.<br /><br /><b>LE:</b> Where are the names of the songs coming from?<br /><br /><b>CL:</b> They are images, just like the music, like the covers of the CDs, or the plays put on stage.<br /><br /><b>NARCOTANGO TODAY</b><br /><br /><b>LE:</b> Do you think your prior experience playing other types of music influences your music at present?<br /><br /><b>CL:</b> All the experience gained as musician is now placed in my tangos. My compositions have condiments of the other musics. They have traces of jazz, rock, electronica. But the strongest feel is that of tango. The electronica is just one more instrument in the group.<br /><br /><b>LE:</b> Do you write for a particular audience, or, do you write what you like.. </div> <br /><b>CL:</b> No, fortunately I don’t have any contract with a recording studio. The Narcotango CDs are independent. We record them and edit them right here, and they are released with our own seal. This is good for us, so we don’t have deadline pressures.<br /><br /><b>LE:</b> So, your compositions are not commecial or commisioned..<br /><br /><b>CL:</b> No, I think that is for people with a strong interest in marketing or those who believe they perceive a need in a particular market. Our music is genuine, a true product of inspiration. I don’t believe it is about writing for a particular group, when what you have is your universe and soul to express. I think an artist is like an antenna at a particular time in history, and what happens is that he is either going to sync or not with the audience. I think this is an interesting phenomenom. But not the reverse, where an artist is writing what the audience wants; I don’t consider the latter art. In a way, we explain Narcotango’s success with its rapid spread in the tango circuit and from there its jump to other circuits. When we go on tours, we play not only in tango related events; we go to other music festivals where people are interested in emerging styles, music from different countries with more cosmopolitan elements like the electronica.<br /><br /><b>LE:</b> Do you think the tours to other countries are good for you, as an artist?<br /><br /><b>CL:</b> I think we feed our minds from our interactions with the world and our music is full of those experiences depending on how much we lived. After editing a CD, I find it hard to start composing again, because it is like if I used up all I had with me. We need to recycle in life, to fill the chip again.<br /><br /><b>LE:</b> To recharge?<br /><br /><b>CL:</b> Yes. To start experiencing again, to have something to tell. We don’t have lyrics, but we are telling things, feelings, emotions, and all these require empathy with what we live. The way we express is influenced by our encounters, the places we visit, the feedback we get.<br /><br /><b>LE:</b> How do people learn about you and your music?<br /><br /><b>CL:</b> Internet. Nowadays we can listen and download music, samplers, CDs. Many CDs arrive through friends. It is like the so-called viral marketing; it is not a paid marketing, it is more word of mouth. It is our pride that we have a project, see how it develops, and if there is empathy between our music and the sensibility of these people avid or sensible for something new. When we first started taking music to the local milongas, it was like bouncing on the wall. Because the DJs and organizers had minds closed to the idea that they had to play what people asked them to play. The few that dare to play my music felt bad, they thought people would consider it an insult, or they would be called the heretics of tango. Fortunately we had the Cathedral milonga, where Carlos Borquez, Gustavo and Silvia Ceriani played our music. People went there to see what was new in tango. The floor was horrible but the place had charisma. It closed for a couple of years but it is open again. Success happens randomly, we happened to be in the right place at the right time. I think this is what is happening now. Every time we get an invitation, we think it is in a way a miracle, since we are not being promoted by any recording company.<br /><br /><b>LE:</b> Do you receive these invitations ahead of time?<br /><br /><b>CL:</b> Our next European tour is scheduled for October-November 2008.<br /><br /><b>LE:</b> How about US tours?<br /><br /><b>CL:</b> We had a US tour almost ready last year that included 18 concerts. But the US regulations for visas are a little complex. At least, that is the way it looked to us. So, we decided to leave the visa issues in the hands of the organizers. We didn’t go to the US. We went to Canada though. TADEMUS music school<br /><br /><b>LE:</b> Can you tell us a little about TADEMUS, the school that houses this studio?<br /><br /><b>CL:</b> TADEMUS music workshop opened 22 years ago. This is an informal school of music. It is for those willing to learn to play an instrument and have some group experiences. The group practices are a real incentive for the student, because they must practice and master their parts, or otherwise everybody will have a bad time. Those who are willing to do more have some harmony and music appreciation training or otherwise get advice where to go.<br /><br /><b>LE:</b> Are the classes for all ages?<br /><br /><b>CL:</b> We have students from age 6. Our oldest student is 73. They are people who played in their youth and are willing to retake their instruments and play in groups. We organize recitals, and they bring their people.<br /><br /><b>LE:</b> Were you more interested in teaching when you opened the studio?<br /><br /><b>CL:</b> My interests in performing and teaching have always been parallel.<br /><br /><b>DANCING MUSICIAN</b><br /><br /><b>LE:</b> About your new passion, the dance, who were your most influential instructors?<br /><br /><b>CL:</b> My first teacher was Renee Amaya, who teaches around the corner on Mondays and Thursdays. When I returned form Lisbon, I decided to take classes. I studied with Renee for 5-6 months. I continued with others, Nancy and Damian Ezell, Chicho and Eugenia.<br /><br /><b>LE:</b> Do you think being a musician has helped your progress as a dancer?<br /><br /><b>CL:</b> Absolutely, one quality of my dance is its bond to music. I enjoy watching a dancer dance to the music, not by himself.<br /><br /><b>LE:</b> Do you prefer a particular style?<br /><br /><b>CL:</b> It depends on the music that is being played. We review more Nuevo tango in the classes but I also enjoy the milonguero style. I like to be closely embraced, “boobie to boobie” I love it!…well, the type of the music leads me to one style or other. I see people dancing milonga with Nuevo steps: I don’t put those together, they don’t match. I think it is something transcultural, I don’t put those together.<br /><br /><b>LE:</b> Do you think that your understanding ot the tango dance has influence your compositions?<br /><br /><b>CL:</b> Yes, I think that dancing tango moved me to compose this music, being in that world, in that ghetto that is the milonga. I liked the idea of doing a contemporary sounding band. I enjoy writing this music and testing it to feel that it is actually danceable. It is that way now; I don’t know how it will be later.<br /><br /><b>LE:</b> Where do we need to go if we want to see you dancing? What milongas do you go to?<br /><br /><b>CL:</b> First of all, I’d like to clarify that I am not a professional dancer. I am an enthusiastic amateur, very willing to get better every time. I go mainly to practices for two reasons: they start earlier so we can go to bed at a decent time, and they are closer to home. The places I like to go are Club Villa Malcolm, el Motivo, Practica X, La Viruta on Wednesdays that is the more alternative day. Sometimes I go to Villa Malcolm TangoCool on Fridays, La Vikinga, well when it was running.<br /><br /><b>LE:</b> How about the other musicians, do they dance?<br /><br /><b>CL:</b> No they don’t: this is typical for musicians.<br /><br /><b>UPCOMING DEVELOPMENTS</b><br /><br /><b>LE:</b> Is the group working on something new at this time?<br /><br /><b>CL:</b> What is happening is the mixing of live recording that I think will be ready by the end of the year. I think it is a very interesting work because the “live” context is different than that of a studio.<br /><br /><b>LE:</b> Is it a DVD?<br /><br /><b>CL:</b> It is going to be a DVD and a CD live.<br /><br /><b>LE:</b> Where was it recorded?<br /><br /><b>CL:</b> In Quito, Ecuador 2 weeks ago. The recording was done with a mobile studio and we made our own recording as a backup, just in case. This CD is going to have also two new songs recorded in a studio included as bonus tracks. This is our initiative, we were waiting for the right time and place to do it. We played at the Teatro Bolivar in Quito, which we had visited previously. At this time, I am writing one of the themes for the live CD. This song has electronica without electronic percussion. The difference is that the acoustic instrument and sampler will take the beat. We will not use electronic percussion to mark the rhythm as it is usual in electronic tango.<br /><br /><b>LE:</b> Is it a tango?<br /><br /><b>CL:</b> It is a vals: it’ll be cool.<br /><br /><b>LE:</b> A vals has a softer beat.<br /><br /><b>CL:</b> Yes, yes, it is more airy.<br /><br /><b>LE:</b> Did you say the DVD will be ready in a month? What is going to be the name?<br /><br /><b>CL:</b> It’ll be ready in 2 months, before the end of the year. The name is Narcotango en Vivo. It is a our first recording of a live presentation.<br /><br /><b>LE:</b> Does everyone takes a part in the composition, or is it just you?<br /><br /><b>CL:</b> No, I am the composer.<br /><br /><b>LE:</b> Where do you see Carlos in 10 years?<br /><br /><b>CL:</b> If I knew, I’d bored to death. Fortunately, life is full of surprises. A few years ago, I had no idea I was going to be where we are now. It is a dear surprise that still surprises me. And I hope that the adventure does not end.<br /><br />For information on Carlos Libedinsky and Narcotango: www.carloslibedinsky.com<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-2583542579479235802?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-81170681399444339232005-01-01T23:48:00.001+01:002008-10-11T23:53:15.272+01:00Interview with Gustavo Naveira & Giselle AnneFonte: <a href="http://www.tangoitu.com">http://www.tangoitu.com</a> | Lydia Essary<br /><br /><span style="font-style: italic;">For those who visit Buenos Aires looking for great classes attended by experienced dancers, there is a place where they are sure to find the most selected clientele in BA. In Naveira’s classes, many of the attendees are the “cream of the cream” instructors in Buenos Aires: the local teachers of advanced classes and/or performers looking for an opportunity to master a particular skill. Gustavo Naveira and Giselle Anne teach workshops and seminars at La Manufactura Papelera, a place with tango character in the heart of San Telmo. The atmosphere here is friendly but disciplined. People meet and relax a little before the intense two and a half hour class at a bar on the ground floor. It is best to attend with a partner, though advanced dancers occasionally attend individually and may be able to spot somebody at their level. Gustavo &amp; Giselle spoke to Lydia Essary after one of their Saturday night classes.</span><br /><br />Lydia Essary: Was your goal as an artist geared to be a performer or an instructor? Do you think you have met your objectives?<br /><br />Gustavo Naveira: My goal as an artist was not so clearly defined as to separate it to be an artist or an instructor. My goal was to discover the tango. To understand it, dance it well and enjoy it. I consider I have met that particular objective. I am satisfied with what I have accomplished so far. I think there is much more to do in tango and I am happy I feel that way: like if I had just started instead of finishing. If I say, “I met my objective”, it sounds like I am done. (Lydia laughs…). That is not my case.<br /><br />LE: Did you have formal dance training prior to dancing tango?<br /><br />GN: Prior to tango no. While dancing tango, yes. In other words, tango was the first dance I tried. Later, while dancing tango, I studied Argentine folklore and classical dance. I also tried some modern dance and Spanish dance. More or less, you could say I have a peripheral view of the world of dance.<br /><br />LE: I see, you started with tango. Any family influences or how come you found tango?<br /><br />GN: When I was young, it did not occur to me I would be dancing tango, much less professionally. But tango had a large presence in my family. Just about everybody, dad, grandpa, my uncles, mom, all my aunts, danced a little tango as amateurs. They were all familiar with the music, composers and the lyrics. There There was a close connection with tango and thus I was very familiar with it since I was very young.<br /><br />LE: At what age did you start dancing?<br /><br />GN: Dancing seriously, since age 20. But I know tango from birth.<br /><br />LE: Did you also study music?<br /><br />GN: Yes. It was my initial idea, to become a musician. I studied music at the conservatory, much earlier than dancing. I studied guitar and music at the municipal conservatory. Although I played the guitar from a young age.<br /><br />LE: Was the guitar your primary instrument at the conservatory?<br /><br />GN: Yes.<br /><br />LE: How long did you study there?<br /><br />GN: Not long, about 3 years. But I played the guitar since I was 7 years old without interruptions until I was 20. In the last years, I attended the conservatory to have a more formal/classical training. Prior to that, I had mainly private classes.<br /><br />LE: Do you think your musical training has helped your development as a dancer?<br /><br />GN: Yes, yes. It helped a lot, especially in the last years when we have focused on the musical aspect of the dance. We were interested in studying the link of the dance to the music. So, having a musical background has definitively helped.<br /><br />LE: This is for Giselle Anne. I heard you spent some time in Spain. Was part of your training in Spain? Could you give us a brief history of your dance education?<br /><br />Giselle Anne: All my training as a dancer was in Buenos Aires. I traveled with an Argentine tango group, and stayed a few years in Spain and France. But I was already working professionally. In Seville, I started some tango instruction, as there was nothing there. Later, I started some tango activities in Paris.<br /><br />LE: Was your education classical dance, contemporary, or…?<br /><br />GA: Classical dance. I completed the entire curriculum to become a dance teacher here in Buenos Aires. I earned the title of professor of classical dance. We do contemporary dance within the classical dance core curriculum.<br /><br />GN: She is a certified classical dance professor in Argentina.<br /><br />LE: Excellent! How did you find tango?<br /><br />GA: It was fortuitous, because when I started, there was not much... Maybe I found it through the folklore, because at that time I was dancing with a folklore ballet.<br /><br />LE: Do you miss your classical dance?<br /><br />GN: No, not anymore.<br /><br />LE(laughs): This is for Gustavo. At what point in your career did you find Giselle; how did it happen? I don’t mean to enter your personal life, just the professional aspect.<br /><br />GN: Well, they are linked. Our personal relationship happened based on a professional encounter. Originally, we were hired separately to teach at a dance festival. But the organizer of this festival, asked in a special request, if we could dance together.<br /><br />GA: All this was possible because Gustavo was traveling and teaching by himself, and so was I. Thus, as we did not have formal partners, there was the possibility that we try dancing together at that festival.<br /><br />LE: Did the organizer have an idea how it was going to turn out?<br /><br />GN &amp; GA: no, no<br /><br />GN: It was crazy...<br /><br />LE: It was an innocent request...<br /><br />GN: And a little a crazy request. Professionally it was crazy, because it is very difficult that two people who don’t know each other, from day to night could come up with a presentation and choreography at a professional level. But we did it; we assembled a presentation in 3 days.<br /><br />LE: Where was this presentation?<br /><br />GN: In Barcelona. It was a success, we danced great and felt comfortable with each other.<br /><br />LE: So, thanks to a casual request, you found each other.<br /><br />GN: Sure.<br /><br />LE: What year was it?<br /><br />GN: Mmm...1995<br /><br />LE: So you are dancing together since then…<br /><br />GN: No, we danced together at that festival. We met again at the same festival the following year, but did not see each other all that year. We worked together and again had a great Professional experience. Our personal relationship did not start until 1998. So, there was a time when we mainly worked professionally, more frequently due to our affinity in the dance.<br /><br />LE: It is a general thought that one of your talents is the capacity to analyze the dance and to dissect it to the smallest (almost molecular) structure. Are you in agreement with this thought from your own students? Is this type of analysis deliberate, when you practice?<br /><br />GN: Yes, yes... It is a very accurate description of our way to face tango when we dance. It was always that way, we both use this approach, even before we met. When we started dancing together, we realized that we needed a more intellectual or academic scheme for this dance. We had not seen such an approach before.<br /><br />LE: You both travel a lot through tango. Can you tell us how you find tango in general in the world? What is the status: does it need improvement? Is it different in every place? Is there an integrity?<br /><br />GN: I think there is an integrity. I think the process is similar everywhere including Buenos Aires. There are many new people dancing tango for diverse reasons. Tango is many times a solution to problems pertinent to modern life and, it is really appealing to most people. Thus, tango is growing, there are expanding communities in most cities in the world, most with similar traits and styles, which is good and is giving signs for a good future. It seems like there is a good understanding of the tango dance in general.<br /><br />LE: During our trips, have you seen influences of other dances in tango, for instance from ballroom?<br /><br />GN: It is common to see that the groups do not mix. That means that for those who dance ballroom and begin to dance tango, either they stay with ballroom and do not dance tango anymore, or switch to tango and no longer dance ballroom. In other words, the groups do not blend or mix. The same happens with salsa, the groups do not mix. I do not find that the tango dance has any influence from any other dance.<br /><br />LE: It is a general observation that in many classes there is a tendency to teach tango using sequences or patterns.<br /><br />GN: That happens in many dances, not only in tango. There are people who learn two, three, five sequences and immediately start teaching. This is not something bad. It has a positive side because these people function in some way as “diffusers” of tango or any other dance and attract more people. Thus, it is a benefit. Later on, the students learn to recognize quality and will decide what to do and choose their future classes.<br /><br />LE: Some people have named you “the father of Nuevo Tango”, what are your thoughts?<br /><br />GN: The subject of ‘tango nuevo’ is something.....it is a name that some people have started to use to identify something that is thought to be a new style. I don’t agree with that concept. I never called what I do ‘tango nuevo’ and do not intend to call it that because I think it is wrong, but I can’t argue or prevent others from calling it by that name. I just have a different opinion. I think what has happened is that tango has evolved and logically there are a number of new aspects that enrich the dance, that were previously not known. There is a more elaborate choreography that makes the dance look a little different, obviously, because of complexity and detailed, broader, dense. This does not mean that there is a nuevo tango; that’s an illusion. I think what it is there is a beter tango. Tango has evolved and today we are seeing the results of such evolution. I don’t think it is very wise to try to “box” every style and put it in separate “boxes” or categories. I don’t think it happens that way.<br /><br />LE: Is there a tendency to make it more structured?<br /><br />GA: A tendency to organize it, because there was no organization before.<br /><br />GN: I think it is not exactly a tendency to structure it. Because if I say that the dance is becoming more structured there could be a thought that we are seeking a standard sequence, and that is not what we are looking to do. We are aiming at understanding the elements that form the dance. We want to understand how the elements coordinate to make it work.<br /><br />GA: So, it is not a nuevo tango, we want to analyze what we already have.<br /><br />LE: Do you think this is still an ongoing process?<br /><br />GN: It is an ongoing process of change and will continue to change..<br /><br />LE: Do you think it is important that the students learn to develop some expression skills in addition to technical skills?<br /><br />GN: Within the genre there are people who are perfect and do everything just right.<br /><br />GA: They could also master their technical skills.<br /><br />GN: Now more than ever, there is a technical knowledge not seen before. In early years, everything was left to intuition and the individual natural capacity without any other guides or control. Today, everything can be done with more precision. It is possible to achieve a higher technical level.<br /><br />LE: Do you think that a tango instructor needs certain training? Has anybody thought about a system or process for the certification of tango instructors?<br /><br />GN: Many have thought of that. But there is nothing set to date. Many have that thought of the importance of certifying the instructors, but nobody has been able to do it because there is not an official institution with the authority to sponsor such certification.<br /><br />LE: What is needed to have such an institution?<br /><br />GN: The thoughts need to evolve until we have a clearer vision of what would be the required elements to deem somebody worthy of certification. I don’t think those elements or basic requirements have been outlined. Well, we know who teaches well, but there is not something defined of what would be required to certify somebody. It is a process that may take years to mature and to gain importance and attention. .In the meantime, there may be some certificates issued somewhere, but nothing official.<br /><br />LE: It seems like from what you are telling us that there is not an immediate need for an instructor certification<br /><br />GN: I don’t think there is an immediate need. Tango is providing for itself and continues to grow.<br /><br />LE: What is unique about this class at La Papelera is that some of the students are teachers at other places....<br /><br />GN: The majority of them...<br /><br />LE: Some call you teacher of teachers and your classes are recommended for advanced students. How do you define an advanced student?<br /><br />GN: Well, there are a number of technical skills that must be there. Also, there must be an understanding of how basic elements are intertwined to make the dance happen. And there must also be experience. When all these items get combined and work, then you have an advanced student, in general.<br /><br />LE: Do you keep in touch with the rest of the cast of the Tango Lesson?<br /><br />GN: Well, not exactly but not detached either. We are all working our careers the best way we can. Salas has an infinity of commitments worldwide. Now and then we see each other somewhere. We are no longer working together though…<br /><br />LE: How come you ended up working together?<br /><br />GN: At the time Sally (Potter) started preparing the production for the movie, Fabian (Salas) and I worked together. Later, we recommended Sally to look for Pablo (Veron). That is how we formed the group just for the movie. Later, Pablo took off his own way. Fabian and I decided to work separately; I decided to leave the company, and, well, every body found their own way. The project for the movie originated there, from the work that Fabian and I did together and our relationship with Sally.<br /><br />LE: Where was Veron ?<br /><br />GN: Veron was in Europe<br /><br />LE: What do you consider is your strength, for both of you? What is the formula responsible for your success as performers and instructors?<br /><br />GN: It would be good to ask people if we are really that good. From here, I can tell you that there are a number of things that have improved with time and experience. We worked hard on many aspects of our dance. I’ve been dancing tango for 27 years. Thus, you can see that in that length of time we have reevaluated 100 things 100 times. We obviously got some results and logically we now have a stronger technique, better rhythm and many improvements. I suspect all these are visible to other peopleand it explains the response we get from them. I am not sure which is that principal element that characterized our dance and determines if what we are doing is good or not. I think it is more a combination of elements.<br /><br />LE: It seems like your work and tour schedules are really tight. Are you managing your own schedules?<br /><br />GN: We have not been able to delegate the assembling of our schedule to someone else. The dealings with people and organizers are something personal to some level, that it is very difficult, at least for now, to have a manager. Maybe later, when our schedule takes more volume and gets out of hand. We are the managers for now.<br /><br />LE: Giselle Anne and Gustavo, thank you for your time, dedication and the opportunity for this interview for Tango Noticias. It has been a pleasure. Before we close, any new developments?<br /><br />GN: Yes, we are writing a book. It is a big project, and time-consuming, it is going to take us….<br /><br />LE: Is it a didactic book?<br /><br />GN: It is a book about the technique of the tango dance. Not about teaching. And it will be combined with an image. The idea of the DVD is a future project.<br /><br />LE: Is the book for advanced levels?<br /><br />GN: It is for everyone, but those who know nothing, will have to work a little more.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-8117068139944433923?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-45212340905553708522005-01-01T16:57:00.004+01:002008-10-12T00:00:16.185+01:00Gustavo Naveira InterviewFonte: <a href="http://www.danceoftheheart.com/naveirainterview.htm">http://www.danceoftheheart.com</a> | Brian Dunn &amp; Deb Sclar<br />2007-2008<br /><br /><span style="font-style: italic;">The following is an extensive interview with tango maestro Gustavo Naveira . The interview began in March 2005, and has continued ever since. The interview is ongoing, and I'd like to include some interesting questions from others - if you have questions you'd like to ask, please send them to us at tangolessons@danceoftheheart.com for possible inclusion in later segments. </span><br /><br /><br />DOTH: When did tango begin for you?<br /><br />GN: I grew up around tango - my father was a tanguero, and we always had tango music playing in the house. But regarding the dance, there was a special moment that I remember. When I was 12, we went with my family to a wedding. It was nobody we knew personally, my mother was the seamstress for the bride, so we didn?t know anyone there. During the reception, someone put on a tango, and a woman at the reception, when she heard it, asked in a loud voice, "Is there any man here that has what it takes to really dance a tango with me?" Nobody answered at the beginning, but my father, a stranger to that group, suddenly said, "It would be my pleasure, senora." A big silence fell over the room. My father was on the other side of the room from the woman, and he stood there, waiting for her acceptance. When she said yes, he walked towards her &amp; they met in the middle of the ballroom. And they danced. And of course, they had never met before. And they danced perfectly well, as if they had done it for a long time. This situation was amazing for me &amp; for everyone at the party. At that moment, my father became for me a hero.<br /><br />As a comment on this culture, I should say that another reason this happened was that the women of my family were not there in the room at that moment. It was just my papa &amp; me. If my mother had been there, I think my father would not have done it.<br /><br />When I was sixteen, I wanted to learn to dance tango from my father, but, well, it wasn?t very successful. So when I was in my twenties, about 1981, I started studying with Rodolfo Dinzel. I was one of his best students within that course, and he took special notice of me and worked me very very hard. At that time, I had found a practice partner that I met at the University of Buenos Aires, in the folklorico ballet. And that partner was Olga (Besio) who afterward was my wife. She began to encourage me to start teaching. I first started teaching with her in 1983.<br /><br />There was something very important for the development of tango that happened at this point, relative to the political situation in Argentina. Yes, democracy returned to the government in 1983, but the military dictatorship was not the reason that tango had been dying out as a social dance - even in the Golden Age of tango, we had Peron, who was also a military dictator! In Argentina, many people like to blame many things on the government, because then it means that they don?t have to do anything themselves. It's a problem we have...<br /><br />No, the important thing for tango at this time was that the new president, Raul Alfonsin, took a very significant step. He created a network of cultural centers throughout Buenos Aires, and created a program to hire people to give classes in a wide variety of subjects to the people of the city, at no cost to the students. What they discovered was that, while someone would teach photography and have five students, or teach painting and have ten students, or teach guitar and have fifteen students, people who taught tango dancing had fifty, seventy, a hundred students in their classes.<br /><br />One time, at the cultural center where I was teaching, the class size limit was supposed to be one hundred and fifty students. The administrators were supposed to stop taking applications for the class after they reached the limit, but someone forgot to do that, and just kept accepting applications. When I went to class on the first day, there were five hundred students packed in this tiny room! I could barely get in the door! I got a chair in the middle somehow, stood up on it, and said "All right, everybody to my left, stay here - everybody to my right, come back in July!"<br /><br />This was very new - a large-scale structure and program that made it really easy for anyone to learn how to dance tango. And all the teachers taught as best they could, with no organization to determine who was "right" and who was "wrong". I know many teachers who are claiming to be "authentic tango" teachers, who started dancing tango in my classes!<br /><br />Many people in other countries think that it was the show "Tango Argentino" that triggered the "rebirth" of tango in Argentina in the 1980's. But that show didn't return to Argentina until late in the decade - by that time I had had hundreds and hundreds of people in my classes at the cultural centers and elsewhere. That show went to Paris at about the same time as the popular interest in tango was unleashed in a flood in Buenos Aires, but the flood didn't start with the show - people just wanted to dance, they just wanted to move their bodies. So people in other countries heard about the tango from those shows - but in Argentina it came from inside the people.<br /><br />And this desire to dance, to move - it wasn't just happening in Argentina, with its return to democracy - at that time all over the world, you saw the same thing - people became interested in participating in sports, running, triathlons, aerobics - health clubs suddenly became very successful and popular - anything to be moving! In Argentina, for many people this movement took the form of learning to tango.<br /><br />When it was time for me to start teaching my first class, naturally before the classes I was busy working on what I would say, how I would teach. So of course I was sitting down with a paper and pencil, designing the classes. Olga and I created extensive notes before the first classes we taught, which I still have - yes, here they are. (Notes, charts, tables, diagrams, drawings - more than sixty pages worth! -Ed.) In a way, that is what I have been doing ever since - sitting there with that paper and pencil, analyzing and synthesizing, looking for the structure underneath the social dance that surrounded me.<br /><br />DoTH: During the first workshop we took with you in 1999, organized by Daniel Trenner, we visited your Friday practica at Cochabamba 444, and heard the stories about how for many years this was a famous gathering spot for you, Fabian (Salas), "Chicho" (Frumboli), and others who worked closely with you for a long time. How did this begin?<br /><br />GN: I had been attending the practica of Pepito Avellaneda, at Cochabamba 444 in the Club Belgrano in San Telmo. At one point in the 1980's, Pepito was very much in demand as a dancer and teacher in Europe and elsewhere. So he asked me to take over his practica on Friday nights. Students who were working with me would come and practice things there. I remember Fabian in the beginning - he was kind of a wild man. I'd be the one to organize the space, rent the rooms, then we would get together and try crazy things, to find the underlying structural possibilities. I remember one night we discovered that there were 98 possible ganchos in the turn!<br /><br />We were forever discussing tango, looking for good information and ideas from anyone who would talk to us that seemed to know something. You know, in my study of tango, often I would encounter a "tango master", and even if you approached them respectfully, they would have an attitude of, "I know everything, you are sh**, don't bother me". This is a typical attitude from an earlier way of looking at tango. So it was often very difficult to learn useful things about tango from them.<br /><br />One night, I remember Fabian turned to me and said, "Gustavo, we are on our own. We need to look at the dance from a point of view of underlying structure, and rebuild our approach to the dance from the things we discover trying to do that." (Note: Fabian's point of view of many of these events can be found in a fascinating interview at Keith Elshaw's website at www.totango.net ? Ed.).<br /><br />DoTH: "Chicho" (Mariano Frumboli) said in a recent interview that everything he knows about tango structure he learned from you. When did Chicho enter the scene?<br /><br />GN: I don?t remember exactly the dates, maybe around 1990. I was very successful as a teacher from the beginning. And at that time the tango community was very small, so everyone knew about me more or less immediately. I met Chicho through Victoria, his partner at the time. Victoria was a contemporary dancer, actress, &amp; many other things, a great artist. And she was learning tango, &amp; she met Chicho as a partner in her acting work. Chicho was going to play a character in a piece of dance theater with her. It was necessary for him to do a few steps of tango as part of his role. So, she brought him to me for lessons.<br /><br />By the way, it's interesting about Victoria. Before, you mentioned how Ana Maria Stekelman's work was important for you in Boulder. (Stekelman's "Tangokinesis" dance troupe gave a very influential series of tango performances at the Colorado Dance Festival in Boulder in 1997. - Ed.) Some years before that, I was called to be the "tango maestro de baile" in an opera in Teatro Colon, where Ana Maria Stekelman was working. She was the primary choreographer for the work, &amp; she &amp; the director hired me as an "assistant director of tango". They needed a full choreography of "classical tango". It was a major opera with 15 singers, 100 musicians, &amp; 300 singers in the chorus. The production was called "Maratón" - a world premier of a new opera. Stekelman, right at the beginning of the work, had to travel, and finally she couldn't continue, she left. So the director named me to be the primary choreographer. He told me, "You need an assistant," so I called Victoria to help. Finally that was not enough, so the director called another woman to work with us on the choreography. This new woman, Lea, Victoria &amp; me - we built between us two hours and a half of choreography for 50 dancers in 22 scenes, in 3 months in 1990.<br /><br />But, with Chicho, around this time, with only 6 months of study, he was amazing as a tango dancer. After that, I think he left acting, music, and everything else. He became so obsessed with the tango - I will always remember one day, in my studio, he looked at me very seriously and said, "Gustavo, what are we going to do with this!? This is such an amazing way of making art, we must do something really great with this, something HUGE!!!" And he got very excited, very crazy in telling me this, and, well, in that moment our story really began.<br /><br />Chicho was absolutely the best dancer I ever saw. He started working with us, with Fabian and me, and we said, "Well, we have to get him to really join us in this work, or else we have to break his legs!" He did crazy things no one else could do!<br /><br />DoTH: In your seminars, your students often videotape themselves practicing the material, but you discourage this. Could you explain?<br /><br />GN: In our classes now, we often tell the students that we encourage them to take written notes, instead of just making video records of the moves. First of all, when you perform the action of making a video, what you are actually doing is practicing using your camera. This may be beneficial to you, but in itself it has nothing to do with learning tango. Then, most likely you will never look at the video again. And if you do, we predict it will not be nearly as useful to you as you had hoped when you made the video. We say this from personal experience. When I first worked with Giselle in 1995, we had both been invited to teach at a festival in Sitges, Spain. Since neither of us was attending with a partner, the organizer suggested that we perform together during the festival. We agreed, and in two days or so we put together a performance, which went quite well. After the festival was over, we did not see each other for a year, until the same organizer asked us to return to the same festival. But we didn't have much time to prepare, so we were not sure about performing together. The organizer assured us there would be no problem, because someone had made a video of last year's performance, and we could use it to reconstruct the same performance this year. What we discovered was that it was much more difficult and took far longer to reconstruct the performance from our own video than it had been to come up with the performance in the first place - and we had designed it ourselves!<br /><br />I should say that one unexpected benefit was that the joint effort to accomplish quickly this very difficult task was the main reason we fell in love.<br /><br />But the real point is: if you take written notes instead of just making a video of yourself, it's true that you may never look at the notes again either. But the ACT of making the notes will start to change the way you think about your tango. You will find a way to analyze and explain what you are doing to yourself in symbolic terms. These symbols will become valuable tools for you to analyze the tango you do and the tango you see others do, and will remain at your disposal when you are improvising the social dance. So the act of writing notes about your lessons WILL make you a better dancer, much more than the act of operating your camera.<br /><br />DOTH: We often have great difficulty making our private practice effective, because of the conflicts that can arise. We know this is a difficulty for other tango couples as well. How is it for the two of you?<br /><br />GN: It is an important thing that took me a long time to learn: sometimes you should not worry about doing it perfectly - you should just let things happen, for whatever reason they are happening in your dance at that moment. Often, if I wasn't practicing as well as I wanted to, I would start to get very upset with myself, and become even less able to dance well. If you judge yourself too harshly about not doing what you intended as well as you wanted, you will simply become more tense. This won't help you or your partner. It is important and useful to find a way of relaxing as you do your work, especially when you are working on difficult things together.<br /><br />DoTH: You have said that about half your performances are improvised, and about half are choreographies. In terms of the choreographies, what are your methods of practicing?<br /><br />GN: I don’t really have a method, but I know I have real control of the choreography after 2 years. We create it…then when it’s finished, when we’re more or less satisfied with what we did, we start doing it in performances. For the performances, we have to practice each time. Normally there is a regularity for these practices…once, twice, three times a week…but the frequency changes depending on our jobs…but more or less in the way we work, it takes that time.<br /><br />DoTH: You've mentioned that the performance you gave in Long Beach, California in July 2003 was a particularly excellent performance up to that time...<br /><br />GN: I tell you why and how we reached the best performance in Long Beach. We had the choreography for some years, but for that particular one (to Carlos Di Sarli's arrangement of "Don Juan" -Ed.), we had 10 days before, practicing with much regularity until the day of the performance. We reached that moment in a very good state, very good shape. Maybe half an hour, but daily. This regularity was the reason for a good technical level that we reached. We normally don’t have such regularity. For that occasion, we worked very precisely for the 10 days we had. The whole choreography was perfectly known, so those days we fine-tuned.<br /><br />DoTH: We would be fascinated to know about the choices you make in your choreographies, especially Don Juan, for example.<br /><br />GN: I remember one of our first choreographies was Emancipacion. We decided to change everything…but now, I would change it AGAIN. Something interesting: Giselle and I, we are keeping everything we’ve done. We also did much more, many choreographies for other people, for groups. But choreographies we did for us, we have them all, we didn’t lose them. I’d like to remake or revise them continuously.<br /><br />DoTH: So you have how many choreographies exactly?<br /><br />GN: We’ve been dancing together 10 years. We started in 1995 at Sitges, when we did our first choreographies. She was living in Europe, so we met there and danced in different festivals. So I would say we started dancing like partners at that time, and developing choreographies. At any given time, we have a dozen or so that are in a good state of readiness.<br /><br />DoTH: Practice is difficult for us...so we are very interested in your method. We basically FIGHT! And this is the problem for many people coming to us as students of the dance.<br /><br />GN: The truth is I could not solve the problem of fighting with my first partner. With Giselle, we have the possibility to solve it. On one side I accept it as part of "the life", but we do get results and we can improve and "go up the stairs", so in this case for us it works.<br /><br />The way to do it is to go very deep on the technical situation and arrive to the foundation…when you reach a point where you can’t go on in this way, you need to negotiate, to make an agreement. And later on, you know more about technique, return to the conflict. But you must be both honest in the discussion of technique. To have an agreement on the identification of things – what you call a strong beat, must be the same thing SHE calls a strong beat. Identified by the same word, then you are mentioning the same thing…otherwise the conversation is a mess. Because finally you don’t know what the other one is talking about.<br /><br />DoTH: So it begins with a shared concept.<br /><br />GN: Yes, it comes with the identification of the problem.<br /><br />About the problem of difficulties with the discipline of practice, I think on one side we can’t think about tango as a sport. You know that, in sports, if you don’t practice a certain number of hours, you can’t play professionally…without a certain level. But in tango, sometimes practice is not useful. You can’t direct the practice to achieve your objectives…because it seems to be leading you in another direction. I think, an opinion only, it’s because the tango is still developing. There’s nothing proved. You don’t know what can happen. And there is another problem…in football, it’s YOU who is running several hours a day to get your level, but in tango, it’s all about the RELATIONSHIP. You cannot compare tango to other dances because it’s a dance that sets a new world…it’s NOT individual, how he or she is doing things alone. It’s not fully explored yet, so that’s why I think we are still in a development moment. That’s why I say it’s not a rebirth of tango.<br /><br />I think that before, the main thing was not the dance. In the old times, the people were dancing in order to express deep feelings about the music. The start of all this was the music, so they were trying to play everything around THAT. A social situation, not a political situation. This was interesting because it was about the relationship between people. But not concretely about the development of the dance through the relationship. The new subject is the development of the dance BASED on the relationship.<br /><br />DoTH: That which is there until they are apart.<br /><br />GN: Exactly. It’s what’s going on in the relationship when you dance with another one. As soon as you are alone, it’s over.<br /><br />DoTH: So are we talking about the theater? A scene between 2 people?<br /><br />GN: No that’s not it. We’re talking about something universal…something human beings never did before. A dance coming out of relationship.<br /><br />DoTH: We could say that there are universal aspects of relationship based around male-female, for example. Someone you know was chatting with you, and the subject was "Why do you dance tango?" Your response at that time was, "It makes me feel like a man." That’s very interesting, a powerful statement. So the magic for us is to some degree a new way of looking at our relationships through tango. Until we had the dance in our relationship, there was for us a kind of "gap".<br /><br />GN: If you thought it was not possible, you are suggesting it’s possible in another culture. I, too, thought in the beginning it was like that. When I started traveling in Europe, it was very difficult to explain to Northerners the concept of leading and following. It was a shock…for me, as for them. When I showed them how to dance, they look at me like – CRAZY! But now I really think that all these problems are a little bit – superficial. Because as soon as you go deeply into the dance and you go through this – well, it’s not something you can understand at first, but when you start going through the path, you start seeing many new things, that are really interesting. So, many people are very impressed by the superficial, but then they find other attractions that they didn’t see in the beginning. You find wild worlds of knowledge that are NOT registered anywhere. It’s like discovering a university, to find something so big and so wild, you cannot believe it. It’s so attractive.<br /><br />But the thing is, when you get to that point, it’s not anymore a problem of the culture. In my culture, I believe it’s very difficult to go through this. I have to go through the relationship with my partner like it is. The real depth of the tango situation is not any more a problem of the culture. It’s a basic human problem. And those who are still thinking that way are old fashioned tangueros…and you can see that immediately. And for me that’s not interesting.<br /><br />DoTH: You have given us a language first for the technique, but you’re now saying there’s more.<br /><br />FN: Yes. I have discussions with Argentineans who hate to discuss this. I think it’s a mistake to believe you have to learn tango by having to go through cultural barriers. This is a superficial barrier.<br /><br />DoTH: So this new frontier…there is perhaps a new structure to be developed about this world. Develop another new language for this parallel thing. Your original teaching sets the stage for another language to discuss, this deeper area to address.<br /><br />GN: I’ll tell you something else. There is a very common attitude (of awe or respect), when you’re in front of something, a kind of study or learning with a lineage going back for 3,000 years, yoga for example, or forms of meditation…tango is only 50 years old! Even when we can have respect for something that lasts 3,000 years in the world…yoga or whatever you can find, the importance of the things are not directly related to the time they last. On the one side, it’s true tango is a baby, but on the other side, many people try to bring to the tango the mystery of long-term things, like yoga. Many people are trying to find the ‘old’ line/lineage for tango. But it is not yet in existence. We must not be afraid of not being important yet because we don’t have that. What we are doing now could be as important as these things that have lasted 3,000 years!<br /><br />DoTH: (laughing) Time will tell!<br /><br />GN: Time will talk! We simply think that what we are doing is very important!<br /><br />DoTH: One thing we find fascinating is talking with others about the very powerful experiences that can happen when we dance tango, and how to make a context for that, a frame of reference not just for the movements of the dance, but for what can happen to us as we dance...<br /><br />GN: During many years, I was thinking it was absolutely necessary to improve - and to be better required discussion, practice, organization, students, shows, milongas, all working together…and now I am in a particular moment, this situation where we are writing the book, trying to take all this that we’ve been doing for such a long time, and put it down on the table…it’s a big task…a monster. I’m revising everything. So now I prefer not to have all the stuff around. I need to be alone.<br /><br />(To be continued)<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-4521234090555370852?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-58675361577797946052005-01-01T00:56:00.001+01:002009-03-12T16:21:56.024+01:00Interview avec Mariano Chicho Frumboli IFonte: <a href="http://fabrice.hatem.free.fr/index.php?option=com_content&amp;task=view&amp;id=888&amp;Itemid=46">http://fabrice.hatem.free.fr/index.php?option=com_content&amp;task=view&amp;id=888&amp;Itemid=46</a><br /><br />29-06-2006<br /><br />Editeur : La Salida n°49 juin-septembre 2006<br /><br />Auteur : Fabrice Hatem<br /><br />La recherche de l'essence, entretien avec Chicho Frumboli<br /><br />Installé depuis 8 ans à Paris, Chicho Frumboli est devenu une référence pour toute une génération de jeunes danseurs désireux de renouveler l'esthétique du tango. Il accepté de nous faire part de ses analyses sur les tendances actuelles du tango et sur les critères de la beauté dans la danse.<br /><br /><span style="font-weight: bold;">Qu'est ce qui fait qu'une danse va paraître belle ?</span><br /><br />Le tango a eu plusieurs époques, avec chacune une beauté différente qu'il est difficile de comparer entre elles. Cela fait 12 ans que je danse, et pendant ce temps, le tango a beaucoup changé. Il s'était caché et il est revenu avec une nouvelle musique, une nouvelle danse. Ce qui m'a attiré lorsque j'ai commencé, c'était le sentiment d'harmonie entre deux personnes et, en même temps, la concentration et la transmission de l'un à l'autre. Je regardais beaucoup les visages, je ne comprenais pas ce qui se passait.<br /><br />Plus encore que la beauté, ce qui est important pour moi, c'est l'essence. Trouver l'essence, c'est trouver la beauté. Je la trouve chez des vieux milongueros, dans quelques milongas à Buenos Aires, en dehors des circuits normaux de tango. Elle continue à être un peu cachée. Je ne cherche pas l'esthétique, je cherche à trouver cette essence dans mon propre corps et dans le corps de l'autre, et c'est dans cette transmission que l'on peut trouver la beauté.<br /><br />Ce qui est voulu, artificiel, ne me touche pas. Dans la milonga, les gens dansent pour danser, pour se divertir, pas pour se montrer. Souvent les professionnels vont avoir une recherche plus esthétique, artificielle, au lieu de montrer la danse dans sa vérité. Dans un bon spectacle de danse, on voit une totalité, mais dans un spectacle de tango, j'ai souvent l'impression que les couples se montrent eux-mêmes, en démonstration, plutôt que de montrer la danse.<br /><br />Quand j'ai commencé j'ai vu des choses touchantes, mais cette passion essentielle à l'intérieur de la danse a un peu disparu.. Aujourd'hui, on est plutôt dans la surface, Tout le monde est à la recherche d'une esthétique artificielle, et pas de l'essence, de la vérité. Les gens qui dansent maintenant cherchent à se montrer eux-mêmes plutôt que de montrer la danse.<br /><br />En même temps, on est dans un moment de transition, de recherche, pour aller vers un endroit inconnu. Bien sur, cela va donner quelque chose d'intéressant, cette explosion après tant d'années ou le tango était caché. D'ici 5 ou 6 ans, on va arriver à quelque chose de très fort.<br /><br /><span style="font-weight: bold;">Qu'est qu'un spectacle de tango idéal ?</span><br /><br />Je viens du théâtre, où j'ai été 8 ans comédien à Buenos Aires. J'étais toujours en relation avec les arts, la musique, le théâtre, et la question esthétique est donc importante pour moi. Un spectacle idéal est celui ou l'on trouve un groupe de gens soudés, qui dansent ensemble, non des individualités égocentriques. Où l'on montre vraiment la danse dans son expression maximale, sans limites, pour dire quelque chose. L'art doit arriver au public non parce que je suis Chicho, mais parce qu'on le fait tous ensemble. Il doit parler de choses contemporaines, quotidiennes, pas de clichés comme le conventillo, la prostituée et tout cela. Les spectacles de tango sont souvent un peu vide, manquent de vérité, avec des scénarios un peu stéréotypés, sans véritable nouveauté. Moi, je suis à la recherche de création, de nouveauté, mais c'est difficile. Il faut changer la vison, arrêter de toujours tourner autour de la même histoire. Avec le spectacle Valser, Catherine Berbessou a utilisé la danse pour dire quelque chose, et a fait un spectacle qui me plaît. C'est la première fois que j'ai dansé un tango vraiment différent. <br /><br />Piazzolla, même s'il était un monstre par certains côtés, était un maître, un génie. Il avait une idée, une essence, et il a continué dans ce chemin. Cela manque un peu au tango, des gens focalisés sur l'intérieur. Si ce que tu donnes est vrai, cela arrivera de toutes façons au public. Pour moi, un spectacle de tango devrait être proche de cette essence Mais il est difficile d'y parvenir. Je travaille dans cette voie, pour associer tango et théâtre, mais il est difficile de trouver des gens qui possèdent cette essence, des danseurs capables aussi de jouer comme comédiens.<br /><br />Le tango à Buenos Aires, c'est toute la nuit. Les milonga durent toute la nuit jusqu'à 7 heures du matin. Il s'y passe des choses lourdes, l'alcool, la drogue, plein de choses que ne montrent pas les spectacles de tango. Dans un spectacle de théâtre, on peut se permettre de montrer beaucoup plus de choses. Pour moi il est important de montrer tout le monde du tango, tout ce qui arrive la nuit, avec ces gens dont on ne sait pas ce qu'ils vont faire le lendemain. Il y a aussi la solitude Et c'est cette solitude qui amène l'idée d'être quelqu'un, l'égocentrisme. Tout cela s'enchaîne.<br /><br />Quant je suis arrivé à Paris il y six ans, j'étais comme poussé hors de Buenos Aires par ma façon de danser, qui n'était pas acceptée à l'époque. Alors, je suis venu en Europe, ou je me sentais plus libre pour danser, parler, et pendant 8 ans j'y ai développé ma danse. Mais même si j'ai fait des choses un peu folles, si j'ai créé des formes différentes, je restais dans l'essence du tango. Mais ici, il existe un sorte de style européen, qui ne s'inscrit pas vraiment dans ce qui a été porté par l'histoire du tango, qui manque de modèle parce qu'il n'a pas été en contact avec la dernière génération qui pouvait transmettre. En Europe, le tango est dansé par des gens aisés. A Buenos aires, il est dansée par tous les niveaux de la société, ce qui provoque des mélanges bizarres : un chauffeur de taxi danse avec une très belle fille, un fauché avec un riche, etc. et après, ils se séparent...<br /><br /><span style="font-weight: bold;">Tes conseils pour mieux danser ?</span><br /><br />ll faut regarder beaucoup pour apprendre. Quand j'ai commencé à danser, dans la milonga d'Almagro, je suis resté 5 mois à regarder avant d'avoir le courage de commencer à danser. Il y avait tant de codes que je ne maîtrisais pas !<br /><br />En France, le problème c'est qu'il n'y a pas tellement de modèle. Le plus essentiel, c'est d'être avec l'autre quand on danse. On n'est pas tout seul. Il faut lui témoigner de l'attention, du respect. En même temps, prendre son temps, ne pas se presser, respirer à chaque fois, ne pas aller plus loin que ce que l'on peut faire. C'est une danse sociale très forte, pleine d'émotions, de sentiments.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-5867536157779794605?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-20292411241869045792005-01-01T00:04:00.002+01:002008-10-07T17:24:31.609+01:00Interview avec Gustavo NaveiraPropos tirés du <a href="http://www.letangosecorse.canalblog.com/" target="contenu">blog de Marc Tommasi</a><br />publiés avec l'autorisation de la <a href="http://www.toutango.com/" target="contenu">revue Tout Tango</a><br />http://www.bam.ya.st/<br /><br />Fonte: <a href="http://premiumwanadoo.com/mephisto-tango/index.html">http://premiumwanadoo.com/mephisto-tango/index.html</a><br /><br />Si dans 100 ans, il existe un Institut du Tango, il devra, en toute logique, porter le nom de Gustavo Naveira. Excellent pédagogue et extraordinaire danseur, sa compréhension de toutes les dimensions du tango le rend vraiment unique. Il est flamboyant dans le tango nuevo. Évidemment, c’est lui qui l’a inventé ! Mais dans le style fermé du tango de bal, il est renversant, bien au-delà de n’importe quel milonguero viejo. Sans parler de sa musicalité, de la qualité de ses pas, de l'à-propos de ses ornementations, du lien profond qu’il rend manifeste avec Giselle Anne et qui aboutit à une forme chorégraphiée de l’amour.<br /><br />Gustavo est aussi un chercheur, un théoricien qui veut rendre limpide la structure du tango. Son exigence le pousse à expliquer le moindre geste, le moindre détail d’une séquence, et à cristalliser son expérience pour relier les différentes manières de danser et pour en extraire le code. Un peu à l’image de Piazzolla mais pour la danse, il cherche à synthétiser un tango qui englobe et dépasse ce qui avait été fait auparavant.<br /><br /><br /><span style="font-weight: bold;">Comment as-tu rencontré le tango ?</span><br />Un peu par hasard. Mais lorsque je l’ai rencontré, je me suis rendu compte d’affinités avec mon histoire, ma famille. C’est très commun. J’étais habitué à écouter du tango et toute ma famille dansait un peu. À l’université où j’étudiais les sciences économiques, je faisais partie du ballet et par hasard, quelques amis me traînèrent à un cours de tango de Rodolfo Dinzel et c’est ainsi que j’ai commencé. Ensuite, d’autres danseurs eurent beaucoup d’influence dans toute la première étape de mon apprentissage, disons les 10 premières années. Ce sont les maestros qu’il y avait à ce moment-là : Pepito Avellaneda, Antonio Todaro et aussi d’autres personnes avec lesquelles je n’ai pas pris de cours directement, mais que j’aimais beaucoup regarder danser et qui m’influencèrent comme Miguel Balmaceda (le papa de Julito), El gordo Virulazo, Pupi, El negro Portalea…<br /><br /><br /><span style="font-weight: bold;">Qu’est-ce que tu leur dois ?</span><br />Aujourd’hui je ne me sens pas étroitement lié à eux. Mais, je garde un très bon souvenir autant de Pepito Avellaneda que d’Antonio Todaro. Je leur dois une certaine attitude face à la danse, pleine, désinvolte, insouciante peut-être aussi un peu sauvage et irréfléchie, mais c’était une bonne chose. Toute cette onde milonguera, ces choses du tango d’avant.<br /><br /><br /><span style="font-weight: bold;">Aujourd’hui, ces choses-là ne se rencontrent plus ?</span><br />Si, mais elles sont mélangées. Les gens de cette époque, qui possédaient cette magie sont aujourd’hui très âgés. Et pour la plupart sont morts. Ceux qui aujourd’hui sont les plus anciens sont des danseurs qui se sont formés dans cette dernière étape du tango et qui ont fait le même chemin que moi ou que les danseurs de ma génération. En fait la situation est la même. Aujourd’hui, tu peux voir, des danseurs avec une onde milonguera, ou disons traditionnelle mais qui est mélangée, influencée par ce qui fait le tango moderne.<br /><br /><br /><span style="font-weight: bold;">Il est rarissime aujourd’hui de voir des milongueros danser ouvert par exemple.</span><br />Ecoute, cette discussion qui existe aujourd’hui entre le tango ouvert et le tango fermé est une invention un peu étrange. Lorsque j’ai commencé à danser, je me souviens qu’il y avait des danseurs qui utilisaient différentes formes d’abrazo et l’on ne considérait pas forcement ceux qui dansaient serré (apretado) comme des traditionalistes. Ce n’était pas la seule possibilité, c’était beaucoup plus mélangé. Aujourd’hui on prétend que le tango apretado est le tango traditionnel et que l’autre non. Cette polémique me paraît une invention moderne.<br /><br /><br /><span style="font-weight: bold;">Il y a un peu de marketing là-dessous. En Europe, le style “milonguero” a eu beaucoup de succès.</span><br />Oui, ici, il s’est passé la même chose en fait. Il y a eu un moment où ça a rendu fou tout le monde mais j’ai le sentiment que cette mode est en train de perdre de sa force.<br /><br /><span style="font-weight: bold;">Ce qui émeut chez toi c’est ta capacité à danser différents styles avec la même profondeur et à faire sentir ces différentes dimensions dans le même tango. Comment mélanges-tu ces différentes façons de danser ?</span><br />Par moments, la danse te montre des images, que l’on relie arbitrairement au tango d’avant ou au tango moderne. Pour moi, les choses ne sont pas ainsi. Ces associations que le spectateur fait sont le fruit d’un processus postérieur. Je crois que tout ce que je fais est moderne mais se développe à partir du tango d’avant. J’utilise dans ma danse la totalité de ce que j’ai développé jusqu’alors et pour moi tout est moderne. Par exemple, quand tu fais une volcada, tout le monde croit que c’est du tango traditionnel alors que ça a été inventé il y a quatre ans à peine. C’est un pas ultra-moderne qui pourtant à une image antique.<br /><br /><br /><span style="font-weight: bold;">En tant que créateur du nuevo tango, Comment le vois-tu évoluer ces dernières années ? Et jusqu’où peut-il aller ?</span><br />Ces vingt dernières années, il y a eu une explosion du développement de la danse. La capacité et la qualité d’improvisation d’aujourd’hui dépassent celles d’il y a trente ou quarante ans. La manière de guider et de suivre s’est établie de manière totale et pleine. La richesse chorégraphique est inédite. Et on commence à pouvoir composer une chorégraphie de manière plus sérieuse en maîtrisant l’équilibre spatial, la tension, différents éléments qui jusqu’alors ne l’avaient pas été.<br /><br /><span style="font-weight: bold;">On danse mieux aujourd’hui qu’avant ?</span><br />Beaucoup beaucoup mieux. Jamais dans l’histoire, on a dansé le tango comme aujourd’hui. Si tu vois une vidéo, ne serait ce que d’il y a vingt ans, tu ne peux pas le croire, tu veux mourir ! Et le pire, c’est que ça me plaisait !<br /><br /><span style="font-weight: bold;">Les femmes notamment disent qu’il se passe des choses extraordinaires qui restent dans le secret de l’abrazo, qui ne se voient pas de l’extérieur ?</span><br />Peut-être pour un public non averti. Mais ceux qui ont une connaissance plus poussée, se rendent compte s’il y a qualité ou pas en voyant danser quelqu’un, malgré tout ce que l’abrazo peut cacher. J’observe que les choses se sont améliorées, sans parler de ce qu’elles étaient avant encore. Si tu prends n’importe quel film des années 50, c’est effrayant. Mais logiquement c’était ce qui s’était fait de mieux jusqu’alors. Mais bon l’évolution continue.<br /><br /><br /><span style="font-weight: bold;">Jusqu’où peut-on aller ? Quelles sont les limites de cette évolution ?</span><br />En réalité nous hésitons tous à dire si le tango est fini ou infini. Cela provient du fait qu’on ne connaît pas le fondement structurel et technique du tango. C’est ce que l’on est en train de découvrir maintenant. Comme on ne maîtrise pas cette structure, on ne sait pas si ce développement fou va continuer. On se plante là, et l’on se dit : “Un jour ça va bien finir par s’arrêter”. Mais en réalité nous ne savons pas bien ce que l’on est en train de faire ! Par exemple un danseur classique peut connaître jusqu’au dernier détail du travail de chacun de ses muscles lorsqu’il exécute tel ou tel mouvement. C’est-à-dire qu’il connaît la structure de son mouvement jusqu’aux plus petits détails. Il n’en est pas ainsi pour le tango. On en est encore à discuter si l’on doit ouvrir l’abrazo, qu’elle est la bonne distance, qu’elle est la lecture que l’on doit faire de la technique. Et il y a plus. Il n’y a pas de discussion consistante de quels sont les éléments constitutifs du tango. Dans le fond, on ne sait pas encore ce que l’on est en train de faire. Et cela crée une forme d’insécurité. On ne sait pas ce qui va se passer.<br /><br /><br /><span style="font-weight: bold;">Si toi, tu ne le sais pas, on est cuit !</span><br />J’ai une petite idée d’où on va. Après pas mal d’essais et d’erreurs, je crois tenir une idée de cette réalité. J’ai la sensation que l’on est au début du développement d’une nouvelle discipline de danse qui pourrait devenir universelle avec de nouvelles variables. Nous sommes à l’orée d’une nouvelle dimension de cette danse. Je ne veux pas devenir fou mais c’est la sensation que j’ai !<br /><br /><br /><span style="font-weight: bold;">Il est vrai que ces temps derniers, le langage du tango s’est beaucoup enrichi.</span><br />Je crois que c’est parce qu’on ne sait pas reconnaître ce que sont les véritables éléments qui construisent la danse. On a le sentiment que ça part dans des millions de directions différentes. Mais il n’en est pas ainsi. Par contre, il y a des millions de nuances comme dans n’importe quelle discipline artistique. Mais ce n’est pas un océan de désespérance où personne ne sait rien. On peut trouver des chemins.<br /><br /><br /><span style="font-weight: bold;">Que penses-tu de l’évolution récente de la musique (électrotango etc…) ?</span><br />L’évolution de la musique de tango pour moi est incarné par Astor Piazzolla (peut-être le plus grand génie qui ait vu le jour ici) et aussi d’autres qui, nourris de sa vision, ont donné au tango la possibilité de se convertir en une musique bien plus avancée. Ceci a fait que le tango a cessé d’être une simple chanson structurée par des blocs de 8 mesures.<br />En ce qui concerne le tango électronique, il ne me paraît pas, du moins, jusqu’à maintenant, une proposition valide. Il faut attendre. Ce n’est pas une évolution car elle ne propose rien de supérieur à la proposition antérieure. C’est la sensation que j’ai, mais je n’invalide pas la possibilité que ce genre décolle un jour et trouve des choses vraiment valables. Mais attention, je n’en ai pas non plus écouté beaucoup.<br /><br /><br /><span style="font-weight: bold;">Quelles sont les musiques qui t’inspirent ?</span><br />Les musiques qui m’inspirent sont celles qui possèdent une bonne construction mélodique, un récit musical de qualité, un usage pertinent de l’arrangement. Les orchestres qui me plaisent sont ceux de toujours, Di Sarli, Pugliese, Troilo, Piazzolla aussi.<br /><br /><br /><span style="font-weight: bold;">Comment naît une chorégraphie ?</span><br />Je commence à écouter de nombreuse fois un thème musical qui m’attire. Ensuite, en écoutant la musique, j’imagine des choses, c’est tout un chaos. Je le danse, j’improvise, je vois comment je me sens. Passé un moment, j’étudie spécialement la musique, sa structure avec beaucoup de soin, j’évalue comment sont construites les mesures etc… Puis je décompose en partie jusqu’à ce que surgisse, l’idée générale. C’est un procédé que je ne peux pas faire seul, que je fais avec l’aide de Giselle. De plus le tango se danse à deux, et il doit être le fruit d’un couple. Ça, c’est très important.<br /><br /><br /><span style="font-weight: bold;">Avec Giselle Anne vous formez un couple dans la vie et sur la piste. Cette dimension me paraît importante et transparaît dans la profondeur de votre danse.</span><br />La danse émerge à partir d’une relation réelle, profonde et forte. Un couple dans la vie possède une dimension supplémentaire comparée à ceux qui dansent ensemble occasionnellement. Et c’est bien ainsi.<br /><br /><span style="font-weight: bold;">Comment ton tango a-t-il changé avec ta rencontre avec Giselle Anne ?</span><br />Quand j’ai commencé à travailler avec elle, je suis entré dans un tourbillon. Nous nous sommes mis à danser et à travailler ensemble avec tant de passion et tant de profondeur que ça a déclenché en moi une quantité de possibilités intellectuelles, de connaissances jusqu’à un développement physique parce que je me suis mis à danser beaucoup plus qu’avant. Ceci a été très important pour moi. En plus, nos visions du tango s’accordent très bien ensemble. Et cela a donné logiquement des résultats. Evidemment nous avons eu des problèmes comme tous les couples peuvent en avoir. Mais nous avons trouvé des solutions et c’est ce qui est difficile. Tous les couples se disputent, luttent. Mais peu arrivent à trouver des solutions. Et c’est ce que nous sommes parvenus à faire dans la plupart des cas. C’est aussi pourquoi notre relation est si forte. Nous avons parcouru un vrai chemin ensemble dans l’étude du tango.<br /><br /><br /><span style="font-weight: bold;">Nous vivons une époque un peu bizarre, tout le monde est maestro, tout le monde est DJ. Qu’elle est l’attitude d’un vrai maestro face à cela ?</span><br />Pour moi, c’est très normal et ça a toujours été ainsi. Aussi loin que je me souvienne, chaque danseur de tango s’est considéré lui-même comme un maestro ! Et tous les danseurs ont enseigné à tout le monde ! Beaucoup s’en plaignent. Pour moi, c’est d’une certaine façon globalement bénéfique. C’est la manière normale d’entrer dans le circuit du tango. Et le système fonctionne d’autant mieux que la rotation des danseurs est grande. Par exemple, une milonga intéressante est celle où il y a à la fois un petit groupe de gens connus et beaucoup de gens nouveaux. Sinon, tous les mardis, tu vas danser avec les mêmes. Une bonne rotation signifie qu’il y a beaucoup de nouveaux arrivants. Et le type qui apprend une chose et qui immédiatement l’enseigne va attirer de nouvelles personnes dans le circuit. Ce n’est pas si mal. Ensuite, le processus d’apprentissage, c’est un domaine qui, jusqu’à présent du moins, est du ressort de chacun. L’élève dont le prof est à cours de matériel, change pour un autre. Nous sommes tous arrivés là où nous sommes dans un chaos et une sauvagerie totale. Rien n’est organisé. Mais d’un autre côté, s’il en a été ainsi jusqu’alors, pourquoi ne pas avoir confiance dans le futur ! En plus, ça apporte de l’air frais. S’il y avait des écoles officielles, tout le monde danserait pareil, ça serait l’ennui.<br /><br /><span style="font-weight: bold;">Qu’est-ce qui pour toi fait la qualité d’un professeur de tango ?</span> Je crois qu’un bon professeur doit être capable de percevoir ce qui se passe chez l’autre, d’oublier ses problèmes et de s’occuper vraiment des problèmes de l’autre, de reconnaître avec précision quel est le problème de l’autre. Tout le monde dit que le bon maestro est celui qui est capable de transmettre. Je crois pas qu’il en soit ainsi. Transmettre n’est pas si difficile. Quand un type enseigne mal, c’est parce qu’il ne sait pas ce dont l’autre a besoin. Il lui dit des choses qui ne lui sont d’aucune utilité. Le bon maestro est celui qui se rend compte de ce dont l’élève nécessite réellement.<br /><br /><br /><span style="font-weight: bold;">Et qu’est ce qui fait la qualité d’un élève ?</span><br />Un élève doit prendre et essayer tout ce que lui donne le maestro. Il ne doit rien accepter sans essayer. En plus il doit traiter de manière autonome toutes ces informations et créer un feedback avec son maestro. C’est quelqu’un qui prend tout, essaie tout, crée avec ça et confronte le résultat avec le maestro pour avancer. C’est un processus de réalimentation réciproque.<br /><span style="font-weight: bold;">Quel est le pour et le contre de l’utilisation de la vidéo dans le tango ?</span><br />Ecoute, je ne laisse pas les gens filmer dans les cours pour plusieurs raisons. La raison centrale est commerciale. C’est un commerce phénoménal. Il m’est arrivé que l’on m’offre une vidéo de mes propres démonstrations dont j’ignorais l’enregistrement, et qui avait été achetée dans une boutique au Japon ! Tu vois, ces choses arrivent tout le temps. Hier, j’ai trouvé sur Youtube 3 vidéos pirates de Giselle et moi ! D’un autre côté c’est de la publicité gratuite … Et puis, si j’autorise de filmer, je vais donner la classe à 70 caméras !<br /><br />Autre chose, du point de vue de l’enseignement, je sais par expérience que les vidéos ne sont pas si utiles qu’on veut bien le croire. Les gens se désespèrent pour obtenir des vidéos et croient que lorsqu’ils les ont, ils sont sauvés. Mais la réalité c’est que copier, prendre des pas ou apprendre à danser depuis une vidéo, est très difficile et demande des efforts énormes. À moins de posséder un écran de 3 mètres sur 4 pour avoir les danseurs grandeur nature, et en 3 dimensions, en plus, pour que tu puisses les voir sous tous les angles ! Utiliser un tout petit écran est une torture. La vidéo lave tout le mouvement et l’on peut facilement s’y tromper. Le bénéfice réel des vidéos pour un danseur est minime. Tu danses bien quand tu danses beaucoup, pas quand tu vois beaucoup de vidéos.<br /><br /><span style="font-weight: bold;">Quels sont tes projets futurs ?</span><br />J’ai trois projets importants. Le premier est le livre. Le second est un spectacle qui aura lieu dans la Papelera où se donnent mes cours. Le troisième est le développement des séminaires thématiques qui ont lieu à Buenos Aires depuis 3 ans dans une forme améliorée, dans le monde entier. Un agenda assez rempli pour les trois, quatre années à venir !<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-2029241124186904579?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-26769649556086914312005-01-01T00:03:00.002+01:002009-03-12T16:21:57.341+01:00Interview avec Mariano Chicho Frumbóli IIInterview réalisée par Carlos BEVILACQUA<br />pour la revue EL TANGAUTA de BUENOS AIRES<br /><br />Fonte: <a href="http://premiumwanadoo.com/mephisto-tango/index.html">http://premiumwanadoo.com/mephisto-tango/index.html</a><br /><br /><br />Nombre de ses pairs considèrent « Chicho » comme le danseur le plus original de son temps. A chaque fois qu'il danse en démonstration, il semble trouver de nouveaux mouvements poussant jusqu'à leur limite les principes de Gustavo Naveira. Maintenant établi en France, Mariano « Chicho » Frúmboli est admiré quasi unanimement pour sa créativité.<br /><br /><br /><span style="font-weight: bold;">Comment es tu venu au tango ?</span><br />En 1994, alors que j'étudiais le théâtre, une camarade de classe m'a invité à apprendre avec elle. Je lui ai répondu non parce que je n'aimais pas le tango. Je jouais de la batterie, c'était plus rock. Mais au bout du compte, comme elle s'énervait j'ai accepté, j'y suis allé avec elle et depuis, je n'ai plus arrêté de danser.<br /><br /><span style="font-weight: bold;">Comment se fait-il que tu n'aies jamais participé au moindre spectacle dans une grande troupe ?</span><br />Je peux aller voir des grands shows et apprécier ce que je vois mais ce n'est pas quelque chose qui me donne envie. Je me sens personnellement plus comme un danseur de bal. Ma carrière s'est construite sur quelque chose de plus intime, plus proche de la milonga que de la scène.<br /><br /><br /><span style="font-weight: bold;">Mais ta danse est pourtant très spectaculaire…</span><br />C'est possible, mais ce sont deux esthétiques différentes. De façon involontaire, je pense que j'ai changé l'esthétique du tango, depuis son image jusqu'à ses mouvements. Quand j'ai commencé à danser ce qu'on voyait le plus dans les milongas, c'était des étudiants qui copiaient le style de leurs professeurs. La seule chose que j'ai faite, fût de me sentir un peu plus libre qu'eux dans ma danse. Même si j'ai eu des maîtres, la majeure partie de ce que je sais, je l'ai appris dans les milongas, et cela 7 jours sur 7 sans m'arrêter.<br /><br /><br /><span style="font-weight: bold;">C'est quoi le Tango Nuevo ?</span><br />C'est une question que je me pose aussi …<br />Si tu ne sais pas, on est foutus<br /><br />(Sourires) C'est d'abord une question de marketing, comme cela s'est produit avec « la nouvelle génération du tango » . En fait, je pense que cela se justifie davantage en ce qui concerne la musique que la danse. Je me sens proche des orchestres électroniques de par la façon dont je danse. Mais au-delà du fait que je connais beaucoup de musiciens qui jouent dans ces orchestres, je m'identifie davantage à la musique de Troilo, Pugliese et D'Arienzo.<br /><br /><br /><span style="font-weight: bold;">Dans tes démonstrations, tu danses sur des musiques très différentes les unes des autres . Comment les choisis tu ?</span><br />En fait, nous choisissons la musique 10 minutes avant de danser, selon notre humeur et l'ambiance de l'endroit où nous allons danser. Nous improvisons, nous ne dansons pas de chorégraphie. Cela, je le tiens de Gustavo (Naveira). L'improvisation permet des choses que la chorégraphie ne permet pas, et elle te rend plus attentif au ressenti. Et c'est parce que je sens toutes ces variations dans la musique que je pense que le tango devrait se danser d'un tas de façons différentes et pas selon un seul modèle comme cela se passe aujourd'hui. Il devrait y avoir des tas d'interprétations parce que le Tango est très riche musicalement. Je suis musicien, et regarder des danseurs qui ne dansent pas en rythme, c'est quelque chose que je ne peux pas comprendre, pas plus que je ne peux comprendre qu'ils dansent dans une espèce de bulle sans la moindre vie à l'intérieur.<br /><br /><br /><span style="font-weight: bold;">Des mouvements sans sentiments ?</span><br />Oui, l'essence tanguera s'est un peu perdue. D'autant plus qu'il y a beaucoup de jeunes qui s'identifient à ma danse, pour moi il est clair que je danse 100% tango. Je ne sais pas si les gens réalisent cela, pour l'instant certains en restent à mon image peu orthodoxe.<br /><br /><br /><span style="font-weight: bold;">Comment les possibilités de danse peuvent-elles être démultipliées ?</span><br />Tout ce que je sais sur la structure de danse, je le tiens de Gustavo Naveira. C'est lui qui a trouvé une manière d'ouvrir le tango. Les possibilités pour la création et l'évolution de la danse sont directement reliées à une parfaite compréhension de ce qui se produit dans chaque mouvement. Avant, l'homme effectuait un pas, et la fille devait le suivre comme elle pouvait ou bien l'homme lui communiquait des instructions verbales comme : ‘ Bon maintenant, fais un gancho, fais un boleo, … '. La relation entre les hommes et les femmes repose maintenant beaucoup plus sur une communication corporelle.<br /><br /><br /><span style="font-weight: bold;">Aujourd'hui, on perçoit d'ailleurs davantage de jeu entre les danseurs.</span><br />Oui, mais le jeu peut aussi égarer les danseurs. Certains jeunes danseurs se perdent d'ailleurs dans leurs recherches et oublient l'essence même du tango. Je crois qu'il faut jouer mais à partir de la connaissance.<br /><br /><br /><span style="font-weight: bold;">Et qu'elle est cette essence dont tu parles ?</span><br />Une connexion très forte entre l'homme et la femme qui dansent le tango. Aujourd'hui les gens apprennent deux ou trois pas et vont danser. Je dois te paraître comme un « milonguero » fanatique, non ? Mais je crois vraiment que danser, c'est penser à comment enlacer sa partenaire, percevoir comment elle se sent, combien elle pèse, sentir son parfum, porter attention à comment elle prend ta main, si elle tremble, si elle transpire … Ce cérémonial implique des codes plus ou moins rigides qui doivent garder leur place dans la milonga. Il y a beaucoup de jeunes qui n'ont aucun respect pour la danse des anciens. Mais si nous dansons aujourd'hui c'est parce que ces anciens ont existé avant nous. Nous formons tous une chaîne.<br /><br /><br /><span style="font-weight: bold;">Dans tes publicités tu parles de symétrie et de changement de rôles …</span><br />Ce sont des concepts qui viennent des moments que nous avons partagés avec Gustavo (Naveira) et Fabián (Salas). Mon expérience comme joueur de hockey sur glace m'a beaucoup aidé à comprendre ces concepts. La symétrie pour nous, c'est la possibilité de faire de l'autre côté tout ce que nous faisons d'un côté. On peut tout retransposer de l'autre côté, sauf l'enlacement.<br /><br /><br /><span style="font-weight: bold;">Comment peut-on enseigner l'improvisation ?</span><br />Il existe différents éléments nommés boleos, saltos, ganchos, paradas, barridas, colgadas, volcadas. Avec quatre éléments combinés on crée une séquence. Mais pour pouvoir jouer librement, il faut parfaitement maîtriser ces quatre éléments.<br /><br /><span style="font-weight: bold;">Le tango que tu enseignes est-il un tango social ?</span><br />Il est aussi social que la milonga le permet. C'est à chacun de choisir comment il veut danser. Si je vais dans un endroit où on danse un style qui n'est pas le mien, je ne fais pas de ganchos, de boleos, de sauts, je m'adapte à la milonga où je suis. Et dans chaque milonga l'espace varie d'un jour à l'autre et au cours de la soirée-même. J'enseigne le tango, mais c'est à chacun d'en retirer ce qu'il souhaite. Il arrive que des élèves qui viennent d'apprendre une séquence, découvrent de nouvelles manières de faire quelque chose et alors moi-même j'apprends d'eux.<br /><br /><br /><span style="font-weight: bold;">Danser le Tango, c'est la quintessence de l'Argentine ?</span><br />Absolument. Danser le Tango te lie à l'histoire et la culture argentine. Danser le Tango me transpose dans des époques que je n'ai pas vécues. C'est dans mon sang. Plus je suis loin de mes racines, plus j'écoute du tango et plus ça me relie à mes racines. Je pense que l'importance qu'a prise le tango aujourd'hui est un phénomène social universel. Malgré Internet et les téléphones portables, le monde souffre d'une grande solitude et d'un manque de communication physique avec l'autre. Les danses de couples, et particulièrement le tango de par le degré d'engagement qu'il engendre tant avec l'autre qu'avec la musique, sont devenues très attractives. C'est la même chose que l'ambiance qui t'attire à la milonga.<br /><br /><span style="font-weight: bold;">Que ressens-tu en général quand tu arrives dans une milonga ?</span><br />La milonga a beaucoup changé. Il y a encore quelques années, pour entrer dans une milonga il fallait avoir une certaine image, avec chemise, costume, chaussures. Aujourd'hui, bien heureusement, chacun s'habille comme bon lui semble. Je sens également qu'il s'est creusé un fossé énorme de génération, tant d'un point de vue danse que musical, pendant les 30 années pendant lesquelles le Tango a été marginalisé. C'est pourquoi dans la milonga on rencontre des personnes de 35 ou moins et d'autres de plus de 60 ans. Je pense qu'il faudrait revoir les codes du Tango et les rendre plus contemporains. Par exemple, moi, je n'utilise pour ainsi dire jamais le cabeceo pour inviter une femme à danser. D'abord parce que je ne danse pas beaucoup dans les milongas à part avec quelques amies et ensuite, parce que je préfère aller à la table pour inviter une femme à danser.<br /><br /><span style="font-weight: bold;">Et arrive-t-il que tu sois rejeté ?</span><br />Au début oui, on m'a très souvent dit non.<br />Merci, ça nous console un peu …<br />Bien sûr j'ai été rejeté. Il y a quelques mois encore, sans remonter très loin, dans une milonga à Paris, j'ai invité une fille qui dansait avec un style contemporain et elle m'a répondu : "Non, non merci" et je suis reparti en me disant : "Ouch, c'est dur ! ", parce que je ne m'étais pas mis d'accord avec elle comme il se doit.<br /><br /><span style="font-weight: bold;">Tu as dit un jour qu'il était plus dur pour un Américain de comprendre que pour un européen. Pourquoi penses tu cela ?</span><br />En Europe, l'Histoire et l'Art ont une place plus importante qu'aux Etats-Unis qui sont un pays neuf. Je ne voulais pas être offensant. Je pense que c'est une question de temps. S'ils peuvent trouver la signification sociale et culturelle du Tango dans toute sa profondeur, ils rencontreront eux aussi le Tango.<br /><br /><br /><span style="font-weight: bold;">Vers quoi le Tango évolue-t-il aujourd'hui ?</span><br />Je ne sais pas, mais je sais qu'il va quelque part. J'aime ce qui se passe, cette recherche et cette découverte de nouvelles formes qui nous mène vers l'inconnu. Je préférerais cependant que l'essence tanguera se maintienne, qu'on n'évolue pas vers un produit hybride. J'aimerais que l'évolution conserve le lien entre les cœurs, en relation avec l'âme et l'histoire du Tango.<br /><br /><br /><span style="font-weight: bold;">Et toi Chicho, où vas-tu ?</span><br />Je vais toujours vers la recherche du plaisir. Dans la vie, j'essaie de faire ce qui me plait. Aujourd'hui pour moi, la chose la plus plaisante, c'est de danser, mais en même temps de découvrir et créer.<br /><br /><br /><span style="font-weight: bold;">DU TAC AU TAC</span><br /><br /><span style="font-weight: bold;">Loisir préféré ?</span><br />Faire de la musique avec mon PC et dessiner.<br /><span style="font-weight: bold;">Suppose que tu marches sur un chemin qui se sépare en deux : tu connais le premier, c'est un chemin sûr tandis que l'autre t'est inconnu. Lequel prends tu ?</span><br />J'explorerai un peu l'inconnu pour voir ce qui s'y passe.<br /><br /><span style="font-weight: bold;">Rythme ou mélodie ?</span><br />Les deux.<br /><br /><span style="font-weight: bold;">Quel est ta première pensée quand tu te réveilles ?</span><br />Je pense au temps qu'il me reste à vivre et qu'il ne faut pas gâcher.<br /><br /><span style="font-weight: bold;">Qu'est ce qui te divertis ?</span><br />Etre avec des amis. Si je suis seul, regarder un film de Jerry Lewis ou regarder Cha Cha Cha l'émission de Alfredo Casero.<br /><br /><span style="font-weight: bold;">Qu'est-ce qui t'ennuie ?</span><br />Perdre mon temps, je fais de mon mieux pour que cela n'arrive pas.<br /><br /><span style="font-weight: bold;">Qu'est-ce qui te fais peur ?</span><br />Beaucoup de choses mais elles sont contradictoires et personnelles. Par exemple j'ai peur de la routine, ou que s'épuisent mes idées.<br /><br /><span style="font-weight: bold;">Un film ?</span><br />‘Le Cuisinier , le Voleur, sa Femme et son Amant' un film de Peter Greenaway.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-2676964955608691431?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-34191218240377737172005-01-01T00:01:00.002+01:002008-10-07T17:02:47.461+01:00Interview with Fabián SalasFonte: <a href="www.totango.net/salas.html">www.totango.net</a> | Keith Elshaw<br /><br /><span style="font-style: italic;">This interview was recorded in 2001. In July, 2001, Gustavo withdrew from Cosmotango; at which point Fabián considered whether he should continue alone, or call a halt. He was persuaded to continue. The 2002 Cosmotango event in Buenos Aires was an unqualified success (being the 3rd annual). A summer Festival will be held this year for the first time.</span><br /><br /><span style="font-weight: bold;">Keith:</span> When I see you dance, like in last night's Tango Masters showcase here in Miami, I feel I'm witnessing something IMPORTANT. Why do I get that feeling? What am I seeing?<br /><br /><span style="font-weight: bold;">Fabián:</span> That I don't know, really. But, I know - what you must see different; or what looks different to your eyes and what you can catch looks different - however, you have to have some training to catch that. Most of the people don't. The reality is that (we're not going to use these words, but) most of the people are used to bull. Where, the more tricks you perform, the better dancer that you are. And that's wrong.<br /><br />Last night we were watching this competition, and I was just telling Carolina how difficult it is to put together something that has some meaning; that is not a bunch of steps just (claps) put like that. And that's what it looked like. Most of the people did not know how to dance. And the ones that knew how to dance, lost. And that's a problem. I knew, everybody knew, the kids from Miami were going to win. But you have Victor (Crichton) and I placed him second ... because for me he was the one who danced the best. But nobody else did ... not even the teachers. They want flash and trash, you know?<br /><br />The value of being a good dancer, the value of putting everything together, of being an articulate dancer, that can converse ... it's important and not too many people realize that.<br /><br /><span style="font-weight: bold;">Keith: </span>So, we'll come back to WHAT it is you are doing, but this brings up an interesting point: is what you're teaching for somebody brand new to Tango? Or should they already know a lot of things first?<br /><br /><span style="font-weight: bold;">Fabián: </span>Not at all. I think that, for the first time ... and this might sound pretentious but I don't mean it that way ... I really believe that for the first time we found a structure - something that is fundamental for every type of Tango that you will do. That is the basic idea of the motion, of what your choices are; and that's good for any type of Tango you want to dance.<br /><br />In reality, every dancer uses what we discovered. We say that because nobody told us these things. But it was there since day number one. And that's why people from all different sorts or styles of Tango they could have danced together before. But, you go to a class and nobody tells you what it is. It's one of those things where you can not put your finger on it, but you've been trying to do it for so long.<br /><br />Unfortunately, we haven't done any - if you want to call it "scientific" study of this where, at the end, you have a book or a video. Because, we should start all this process by teaching the teachers what it is that we're talking about. Because most of the teachers don't know what we're talking about. This is the problem.<br /><br />I believe that if you write a book, sooner or later the teachers are going to buy it and when they are in their homes, where nobody can see, they'll read the book and they'll understand what we're talking about. Because they won't come to our classes. And they keep teaching the same bull 1,2,3,4,5,6,7,8 for years and years - and it's still that way. You have people talking to you about "Number 5," - there is no number 5! There is no number 2, there is no number 7 ... I mean, that's a structure that is old, that doesn't have anything to do with anything. The basic step is not the basic step ... it's been proven to us that it is not that way. I mean, none of the teachers use it anymore in their own dancing. But when they go to teach: 1,2,3,4,5,6,7,8. And that's - that's a problem. Because the teaching cast, the teaching people are not instructing well. We are still saying too many different things to students.<br /><br />For instance, if you want people to lean forward, you want ... that's not the structure of the dance. We have not understood yet that there is a technique of the dance ... and that it is not any more something that you learn intuitively; that you have to work on it and there are things that you must know. And unfortunately most of the teachers don't know anything about this. And that's the truth.<br /><br />And then teachers come to you and say, "What's the pizza step?" They think there is another step that's called the pizza step because there is one that is the sandwich step. And because we talk about slices of pizza to be graphic, you know, about triangles etc. I mean, teachers Ç their main responsibility is to be informed - at least. Informed of what's going on. They don't know. They heard from some student, who can't understand what you're talking about, "Oh, they taught the pizza step today." So, they want to know what the pizza step looks like because everybody's talking about it. I mean, things like that, that to me are ... they drive me nuts.<br /><br /><span style="font-weight: bold;">Keith:</span> That brings up two questions in my mind. Here's the second one first: you look beautiful when you and Carolina dance Ç but she's a real dancer (Fabian: That's correct.) So, many people must ask you: can I just do this with anybody who doesn't have good balance, good posture, they're brand new ... 'cause you do a lot of turns, things like that which require technique?<br /><br /><span style="font-weight: bold;">Fabián: </span>Well, first let's talk about more advanced dancing. I think that dancing, uh, dancing at this point is becoming like, how do you say in English, we call it "alta competencia" which is high competitive sports. Like, today you cannot talk about how good was a runner 40 years ago. They didn't exist 40 years ago like now. Today, it's different. It's not just natural talent. And I think Tango, or dances are becoming that way. In ballroom, you already see it Ç these people are athletes.<br /><br />In Tango, in ballet, you see that. In Tango, we're coming in to the idea of realizing that this is not for everybody. To be good, you have to have a lot of things lined up together for you. It's not just the time, it's not just the balance - it's a combination of things. I mean, this is a complex dance. My feeling was always that it can't hurt that you are able to understand the dance. So, why is there all this problem from people about being rational about the dance - when in reality in any type of dance you do, there is a technique. In ballet, in ballroom, there is a technique. In Tango, there is nothing - just what the teacher tells you at this moment, at that's it. And all of them are telling you different things. So, it's left to the student to realize what thing is good and what thing is wrong. And the student is not there for that. I mean, that's why he's a student. It shouldn't be up to the student to realize that this is good about him, that's bad about her ... we should give them more elements that we are not giving.<br /><br /><span style="font-weight: bold;">Keith:</span> Two nights ago I saw you dance with a woman who lives in Miami who is not a "dancer," and it looked beautiful. She is like the typical person who wants to dance Tango; isn't going to do great turns and jumps and all that ...<br /><br /><span style="font-weight: bold;">Fabián: </span>Correct. For a "normal" person, if you can walk you should be able to dance. That's it. If you understand that there isn't any other weird things in between. What we put the accent on is on the walk and the way of moving.<br /><br />Now, people - because they've been taught that way - before they move they do too many things. Instead of relaxing and just let the movement take you; and then correcting a few things here and there; they think too much ... start acquiring weird postures; ideas with their feet; you know, where they have to look ... things which the Tango doesn't go through. I mean, a lot of people ask me in classes, "How much weight do I have to put on this foot, how many pounds?" Or, "What kind of an angle do I need here?" The dance does not go through those paths. And if you start thinking like that, the last thing you can do is walk ... which is what you want.<br /><br />But at some point, you have to give them something that they can grab - some of those things you can put your fingers on. So you have to tell them, "Do this, and put your arm like so;" things that they can chew on. And that's why, for too many students, after years and years of teaching, people come to realize that we are good teachers. But for years, they couldn't understand what we were saying; because they are used to being told, 1,2,3,4,5,6,7,8, and that's a concept that they can believe. We now tell them, no, the "basic step" doesn't exist, number 1 doesn't exist, number 8 doesn't exist - there are no numbers ... this is what you have: you have three steps to each side; you mix a bunch of combinations and this is all you can do.<br /><br />And they resist, you know, they come to me and say, "This is number 4." And I say, "There is no number 4." And I know what they're talking about, but it's hard to get people to think in a different way; to think in a more accurate way.<br /><br /><span style="font-weight: bold;">Keith:</span> So, when you take a beginner, what do they look like 6 months later? What have they learned? Can they dance with anybody?<br /><br /><span style="font-weight: bold;">Fabián: </span>If they stick to what we do, yes.<br /><br /><span style="font-weight: bold;">Keith: </span>Do you mind me asking - in a first one hour class, absolute beginner, what do you start with?<br /><br /><span style="font-weight: bold;">Fabián: </span>Walk. I make people walk in front of each other. That's it. Walking and then, I explain to them how the cross happens if we get to that point. Because in one hour, it's too much information. But realistically speaking, what I would explain in the class is, which structure is Argentine Tango using. And then we go to the turn because for us dancers, it's all turns; and the basic step is nothing more than a turn to the left and the cross there happens because of that. I mean it's the same code; people have been using for years and they don't even realize it. But it's too much for a beginner. And unfortunately, they leave the class, they don't understand much what you were saying. Then the next class, the next teacher after you comes in and says, "OK" here is the basic step. Followers on one side, leaders on the other, 1,2,3,4,5,6,7,8." And that's the way they teach. That's "fine," that's the way we all learned. And it's proven that can work after years and years of practice. But you don't have to go that way.<br /><br />And to begin with, having people apart - it's a mistake. It's a big mistake and teachers don't realize it yet, but what you have to teach people is to walk with another person in front, not to walk by themselves - they already know that. I don't see why they have to learn something by themselves. It's like, you want to learn to play piano and I give you a trumpet. It doesn't help you. It might not hurt you, but it's a different learning process. It doesn't get you faster to be a good pianist to learn trumpet at the same time. Most likely it's going to slow you down. Things that you do by yourself are out of the question. They don't work.<br /><br />Now, try to prove this with somebody, I mean with teachers. No, the technique classes are very important. You have to teach the answers to stand ... where? Boleos - do boleos by themselves. This is crazy. The boleo is generated by the energy of the other person. Now, you're going to learn how to do a boleo with the bar, that doesn't have energy? So, what you're learning is to be independent ... which is exactly what we don't want.<br /><br />The form is the least important thing. First you learn to follow, how to feel; then you learn the form of the dance. It doesn't go the other way around. There is no gain in going into the form of what you're going to do next if you haven't done it before. If you don't know how a boleo should feel, if you don't know what lead are you expecting, I mean ... this idea of telling you for two hours and a half how your feet are supposed to look while you're performing a boleo that somebody supposedly is going to lead ... no.<br /><br /><span style="font-weight: bold;">Keith: </span>Fabián, you say, "we," and you say "discovered," and "looked at and found out" ...<br /><br />So tell me, who "we" is, what is it you did and where are you with it all now?<br /><br /><span style="font-weight: bold;">Fabián:</span> Several years ago, before 1990, I met Gustavo Naveira, who was the person who really impressed me the most in Tango. For quite a while we worked together, and even though I wasn't at his level (he's been dancing for a lot longer and he's a great dancer, anyway) we started talking a lot about Tango.<br /><br />At one point, I remember that we were very concerned about all these dancers dying - all these milongueros, all these teachers, they were dying. One after the other, three or four in one year. It was catastrophic. So I said, "Gustavo, we are on our own; there is hardly anybody any more and if there is, we can't do much about it because it's hard to talk to these people. We have to start learning from ourselves. We have to start bringing the process along and the only way to do it is getting together. Why don't we join with the people that we consider are good dancers that have something to offer with this idea of, you know, changing - exchanging things? Getting together and practice in a serious way. Analyze."<br /><br />So we decided to - I don't recall when was the first meeting, but we had several meetings with different teachers and dancers and people we thought were interesting, you know, to interact, to talk. For a few months, we were having at least one meeting a week, sometimes two. Most of the time it was hard trying to deal with people. They thought that we were trying to steal their steps. Even today that's the case, you know; Tangueros, they have one step, they treasure it and they don't want to share it with anybody. And we thought it was important to share. So, at one point we realized that that wasn't working. That, ah, all these meetings were slowed down because of personal problems with these so-called great dancers or whatever. So we said, Gustavo, the only ones that are speaking the same language here is me and you. Why don't we just do it on our own? Why don't we just start working on our own ... and we did.<br /><br />We didn't know what we were looking for. We were just ... (pause) looking. We needed to do it and at that point we changed the idea of getting together and we started doing it several hours per day, every day. I mean, we couldn't sleep. Talking; we spent hours playing billiards and talking; coffees - they'd throw us out from one coffee shop and we'd have to go to another and to another bar and all night long - talking and talking. For years.<br /><br />So at one point we decided well, if we don't do anything with this, we're going to spoil it. So we went out and we started dancing, and looking for what we didn't know. And every day we were coming up with new things. Not steps - just concepts. Things that we could discover, we could see and ... we weren't organized, we didn't know what to work on, but we started dancing and then he was dancing and I was looking and, this idea would come to my mind. But we always looked for structure - for things that you could say well, this is organized this way and this is organized this other way ...<br /><br />It's not like for one boleo; we were looking for: how many boleos were possible in Tango dancing; how many different ganchos there are; things like that. To come to a total knowledge of what's available.<br /><br /><span style="font-weight: bold;">Keith:</span> An inventory.<br /><br />Fabián: That's right. But for that, we needed a structure; we needed ... what's making all these combinations possible. And one day, again I don't remember, it was 7, 8 years ago, we came up with this realization that the fundamental structure in Argentine Tango was the turn. It was the structure that is always there. The structure you can't see, until you look for it.<br /><br />We saw that the so-called side-steps (we call them Open steps now) are all over the place, but they don't look like side steps. They look like back steps or front steps. But you were in that class where, briefly, I explained the difference in the side steps and when I go to the outside this is a cross ...<br /><br />And these realizations opened all the doors at once. We knew a lot of things before then, we knew a lot of steps, we knew a lot of possibilities; but after that we came up with reading the Tango only through: Open, Back and Front steps and that's it. To 2 sides, that makes 6 - that's all we have in Argentine Tango: 6 different steps.<br /><br />Then ... we saw the dance as pretty advanced. We couldn't come up with new structures that had the significance of older movements. I remember Gustavo saying, we have to come up with something that has the significance of a boleo - imagine the first person that invented the boleo. Or a gancho. How important that is - the meaning that it has in dancing. What did we invent? Nothing. Yes, we came up with line boleos or ganchos like this, but everything was already there. Even what in the beginning we called them "alterations" and then later we called them changes in direction. We didn't invent them, they were there. A change of direction is a simple ocho, really.<br /><br />However, what we did start using a lot was, out of three choices you normally have, using the one that nobody used before in such a way ... and make a structure out of it and not just a step.<br /><br /><span style="font-weight: bold;">Keith: </span>There are always 3 choices?<br /><br /><span style="font-weight: bold;">Fabián: </span>Yes. Because every leg has three possible movements. You can do an open step, a front step or a back step. And that's it. You have to be in one of those three positions.<br /><br />Keith: Now, this is a cornerstone concept of how you're communicating essential Tango knowledge to people, isn't it? And before you, nobody ever said that little simple thing?<br /><br /><span style="font-weight: bold;">Fabián:</span> No.<br /><br /><span style="font-weight: bold;">Keith: </span>The most profound things are often simple and hardest to find, right?<br /><br /><span style="font-weight: bold;">Fabián:</span> That's right. And it still is that way. Because, we have no influence over the teaching world. We have some - but not much. I mean, how many people, Tango people, can you reach in a class, compared to the Tango world? How many other teachers there are? And I'm a very popular teacher ... and Gustavo is a very popular teacher as well. How many other teachers are there saying things that are seemingly easier to understand for the person ... and they are saying things that we do not agree with. What's the rate where you can really influence people?<br /><br /><span style="font-weight: bold;">Keith:</span> And now there is something, whether you call it a philosophy or a style that's around, that you've developed, and there's going to be confusion for a while about what it is and what it's called.<br /><br /><span style="font-weight: bold;">Fabián:</span> There is. And see, you go to Europe, most of these people dance the way we do ... they don't even know where it comes from. Some of them might. The new dancers, people who have been dancing for 2, 3 or 4 years, they started that right away and they don't know how different it was before; they don't know what is the so-called traditional Tango is compared to this so-called new Tango. They don't know where the turning point is. Now everything is mixed up. But, for somebody that's been dancing for 10 years, they know the difference. Today it's totally different than it was 8 years ago. And that came from us. From two guys: Gustavo and me. Later on Pablo (Veron) came in, and Chicho (Mariano Frúmboli).<br /><br />But the structure - the ideas that we built - were never planned because we just needed to do it. And as soon as we found something, would go out to the classes and teach it. Because it wasn't just to keep it, it was to share.<br /><br />And to me it is a shame, it's hard. When you're convinced about something, that you realize this is it; you can't just go to a class and say, "Look, we were all wrong. This was wrong, now this is it." I mean, I've been telling my students, remember how I told you this one is? Yeah. Well, now forget about it. Now, we're going up. But, how many people can do that? How many teachers can accept that they've been wrong?<br /><br />I mean, and that's our problem, most of the teachers don't know about this. Most of them, however, even though they criticize us all over the place, most of them are using what we invented. Things that I know I created myself. And they probably don't even know. They probably took it from somebody they saw in a show and they picked it up. But they came out with movements that were not there before us. And I can guarantee you that. Most of the teachers are using, on stage, things that we created.<br /><br /><span style="font-weight: bold;">Keith: </span>Now, this is a sad fact of life: choreographers can't patent their work like composers can.<br /><br /><span style="font-weight: bold;">Fabián: </span>No, no; who cares? That's not the idea. I mean, I don't care about the credit. I care about (pause) ... how long is it going to take for people to realize - for the teachers and for the performers to realize that what they've been calling wrong all their lives is right, and it's the way everybody's going. And it's the natural way. How long is it going to take to not deny things any more? Not just start labelling things, you know - the "new Tango" is destroying the whole ... how long is this fight going to go on until we all realize that this has to move up. And it's been moving up, with or without their help.<br /><br /><span style="font-weight: bold;">Keith: </span>In a way then, is the rest of the world kind of helping in this as opposed to Argentinians who don't want to think in a new way?<br /><br /><span style="font-weight: bold;">Fabián: </span>Well, I don't think Argentinians are the most ... I mean, I have students in Argentina too, but it's sad, again, because how many students do we have? How many times are we there to teach? I mean, a lot of people come to Argentina from Europe, they dance better than the Argentinians. To us, I mean.<br /><br />Still, you come from Argentina, from where Tango was born, you're supposed to be good. Bullshit. To me, there is not an Argentine Tango. It's a technique of dance. That it was originated in Argentina and it has to do with tango, fine - but, today it's universal.<br /><br />That's why we call our association Cosmotango.<br /><br /><span style="font-weight: bold;">Keith: </span>Are you comfortable with the fact that it has to be called something?<br /><br /><span style="font-weight: bold;">Fabián:</span> Of course.<br /><br /><span style="font-weight: bold;">Keith: </span>So, you call it Cosmotango?<br /><br /><span style="font-weight: bold;">Fabián:</span> No. That's our association. I call it Tango. To me, it's Tango. Simple. But it doesn't have anything to so with the ballroom Tango, and it's what we call Argentine Tango because it brings up the origin of the dance - but not because it's reserved just to Argentine people.<br /><br /><span style="font-weight: bold;">Keith: </span>Then do we call what you're doing ... Tango Nuevo?<br /><br /><span style="font-weight: bold;">Fabián:</span> No. Argentine Tango. That's what we like. It's an evolving thing that has arrived where it is today. But let's not get confused. It's not only for Argentine people; and it's not a must to be Argentinian to be a good dancer. Anybody can do it if they do it right. Why do Argentinians have to be better? I mean, there's no genetic thing that you can prove to me that Argentinians have. That's not true.<br /><br /><span style="font-weight: bold;">Keith:</span> Can I ask a really dumb question? Where did the Cross System come from. Is that your work?<br /><br /><span style="font-weight: bold;">Fabián:</span> The cross-foot system? Yeah. We named things that most of the people don't know. What we call the cross-foot basic has been there forever. But we came with the idea of explaining the normal way of walking as parallel, and showing the cross foot and calling it that.<br /><br />One night Gustavo came up with this idea of calling the Ocho Cortado. Or the cut Ocho. It was a mistake - the concept was a mistake. He invented it, the Milongueros are using it, and they don't even know where it came from. And Gustavo is saying, I created a name that now people are calling Ocho Milonguero. Ocho Cortado is a mistake - really, the cut ocho is a cut turn ... a reverse of direction, because you go front, open, and then you go to the other side. It's not that you are cutting the ocho anywhere, it's just you are making a turn to one side and then you start to the other side. So you have a front step and an open step. That's what an ocho cortado is.<br /><br />But after years, somebody grabbed that ... for example Susana Miller, because she was taking classes with Gustavo, and she came up with his terminology, ocho cortado, and she taught this all over the world. And now the greater community of dancers has a concept that we brought out, that is wrong. (Chuckles).<br /><br />You know, names are only ... For years, we wanted to use terms that describe what is going on. Because most of the people want to know what is the name of the step. And they named the steps for the look, for the idea, they didn't have a structure/form idea. I mean, the ocho is named for how it looked; it doesn't tell you about the structure. Ocho Cortado is just a name that tells you you are cutting the ocho somewhere, it doesn't tell you anything about the structure of the step.<br /><br /><span style="font-weight: bold;">Keith: </span>So, do you want to re-name a lot of things?<br /><br /><span style="font-weight: bold;">Fabián:</span> There are things that can not be re-named. The name is like your own name; it doesn't tell me anything about your personality, but it's your name. So, I'm very careful with names now. If I describe something, I say this is a change of direction.<br /><br /><span style="font-weight: bold;">Keith:</span> Now, I'd like to ask you what's happening now with "the Project."<br /><br /><span style="font-weight: bold;">Fabián:</span> For a couple of years, we stopped getting together and researching things. Once in a while we get together and "throw steps" as we say. But um, we've been trying to carry projects along, like, getting the Congress (CITA) was one of the first ideas; and now we're in a project of trying to do a show. At one stage in this whole project Chicho came by, and he brought a lot of new fresh things because of his way of learning and grasping things. I mean he was a student of ours, but it was one of those things where you give him something and he works with it and throws you back something that is even a bigger problem. And that's a challenge and that's what you want.<br /><br />The first year at CITA it was just Gustavo and me and our partners; then the second year Chicho came by and we did something the three of us togther with our partners. And this year, we went even bigger and we did over a half an hour of our stuff, what we like.<br /><br />But we only get together one month a year, before the Congress and that's to rehearse these ideas that we have. And now we are planning to arrange our trips, because the reality is that we have to live, we have to work. We work on our stuff, we share it with the whole world, but have families to support. There is no support for cultural work in Argentina. They don't care about Tango ... they sold all the rights to the Japanese. At this point, we are in Argentina 2, 3 months a year and that's it. So in that context, I have to happen to be in Argentina the same time that he is there - which is rare. But for most of the people, we are a team. We just don't appear together unless we want that to happen.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-3419121824037773717?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.comtag:blogger.com,1999:blog-31654041.post-59644498205936827581979-06-24T12:42:00.002+01:002008-12-14T06:00:52.191+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_xb-fe9YhuWE/SGDgWShDPlI/AAAAAAAAAAc/__qXD8mfKU8/s1600-h/Icon.jpg"><img style="cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_xb-fe9YhuWE/SGDgWShDPlI/AAAAAAAAAAc/__qXD8mfKU8/s400/Icon.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5215415042027241042" /></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31654041-5964449820593682758?l=oabrazo.blogspot.com' alt='' /></div>abraZonoreply@blogger.com